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August 24, 2025

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9 Brevities

Crabs, Cars, and Community: The Inaugural Frederick Douglass Unity Day

June 19, 2024 by Val Cavalheri

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Merging community spirit and celebration, June 29, 2024, is set for the inaugural Frederick Douglass Unity Day, a blend of food, fun, and festivity. Organized by the Bailey-Groce Family Foundation and supported by various sponsors, this event aims to bridge gaps and foster unity among people of different backgrounds.

The concept for Frederick Douglass Unity Day originated with Tarence Bailey, Sr., one of the primary promoters and sponsors, who noticed a split in celebrations during Juneteenth and the Fourth of July. “I realized that some people don’t celebrate Juneteenth, and some don’t celebrate the Fourth of July. These holidays are back-to-back, and we needed an event in the middle to bring everyone together,” Bailey said. That event became Unity Day, designed to provide a platform where everyone, regardless of their preferences for these significant dates, can come together to enjoy Eastern Shore-style festivities featuring hot crabs, cold beer, catfish, and classic cars and motorcycles.

Securing a venue was a crucial step, and Bailey, a combat veteran and member of the VFW, found support from the Easton VFW. “The VFW was really excited to partner with us and host the event on their grounds,” Bailey said. The ability to bring this event to life is thanks to this partnership with VFW and other sponsors, including Shore United Bank, The Car Store of Laurel, DE and Salisbury, MD, William Ryan, Solid Tops, Richard Holman, and the Constitutional Alliance. 

(Note: Sponsorship opportunities ranging from $200 to $800 are available through 6/22). 

The Unity Day event offers various activities to cater to all ages and interests. The festivities will kick off at 2 PM and run until dusk, featuring an all-you-can-eat crab feast, with crabs supplied by Harris’s Crab House in Grasonville and prepared on-site by India Thomas of Thomas Family Catering. “The crabs will be steamed right on site, going from the pot to your table,” Bailey said. Also included are all-you-can-eat blue catfish (an invasive species whose consumption helps the environment), supplied by Tilghman Island Seafood, fried chicken, corn on the cob, and cold beer or soft drinks. Thanks to Dallas’ Welding from Cordova, MD, who donated a large grill, hamburgers, and hotdogs, which will also be featured.

Family-friendly activities include a bounce house for kids, a community kickball game (with a prize trophy as bragging rights), and a Double Dutch contest. “We’re bringing back the Double Dutch competition, something we used to see in the ‘80s and ‘90s,” said Bailey. Classic car and motorcycle enthusiasts can showcase their prized vehicles, with trophies awarded for the best car and best motorcycle. The event also features live music by DJ Mercury, adding to the festive atmosphere. “It’s going to be a great day of fun, food, and music,” Bailey says. In case of too much sun or inclement weather on Unity Day, tents will be on the premises, or attendees can enjoy the festivities inside the VFW building.

All proceeds from Unity Day will support the Bailey-Groce Family Foundation’s mission to preserve African American heritage and history on the Eastern Shore. The long-term goal is to establish an African American Cultural Center, making Talbot County a hub for African American history and an international destination for cultural tourism. “We’re trying to make Talbot County the headquarters for African American history,” Bailey says. “I envision a time when people come to the United States, they’ll want to visit Talbot County before they go back home.”

Tickets for this event are available on Eventbrite, through the foundation’s website, or can be purchased at the door. Tickets for adults are priced at $60, while tickets for kids (16 and under) are $40. For those interested in participating in the classic car show, the entry fee is $40, and vendors can secure a spot for a $75 fee.

Bailey hopes that the Frederick Douglass Unity Day will become an annual event, filling a gap between Juneteenth and the Fourth of July and providing a non-political, inclusive celebration for all while also honoring the legacy of Frederick Douglass. It will be a day where community members can enjoy each other’s company, share delicious food, and participate in fun activities, all while supporting a worthy cause. “We want to bring people together over hot crabs, hot catfish, cold beer, nice cars, and motorcycles,” Bailey says. “I see this as a great opportunity to sit down and grab a cold beer with a perfect stranger–Eastern Shore style. After all, we’re all neighbors in this world.”

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 9 Brevities

From CPA to Creative Leader: Bernard Dellario Ignites a New Era of Art Education at the AAM

May 29, 2024 by Val Cavalheri

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For Bernard Dellario, art has been a lifelong passion that defied expectations. “Art was always my love. I don’t know where it came from,” he said in a recent interview with the Spy. “Because I didn’t have any direction from parents, peers, or people I grew up with – no one in my family was artistically inclined. I just, for some reason, loved to do it.”

Dellario is bringing that passion to the Academy Art Museum as their new Adult Educational Coordinator.

Bernard Dellario

Though drawn to creative expression, Dellario didn’t initially plan an artistic career path. To him, art classes were just an aside in college after deciding that art alone wouldn’t pay the bills. “I figured I needed a more lucrative career first. Finance checked that box. I went on to become a CPA.” And for almost 40 years he did just that, never giving up his creative side and continuing to develop his artistic style when he could. 

However, Dellario’s muse could not be denied forever. Now fully retired, he can focus on his artistic development.

Moving to the Washington D.C. area also proved pivotal for cultivating Dellario’s artistic voice. “If I hadn’t landed there, I wonder if I’d have found the same path,” he said. “Being exposed to so much incredible artwork really lit my fire.” He began taking art classes, and the instructors recognized his innate talents. “They kept nurturing me, so I took as many classes as possible – at least once a week, sometimes weekends too.” “I was voraciously learning.” He credits those instructors for profoundly impacting the artist he has become. 

But that same guidance and instruction stoked a passion Dellario didn’t even know he had. It was one serendipitous moment that unlocked Dellario’s own teaching abilities. “I was in a figure drawing class with a really good instructor everyone wanted,” he said. “One day, he asked me if I would sub for him. I agreed, but I was freaking out!” However, leading that first session was revelatory: “I ran the class for my peers and found out I was pretty good at teaching.” 

But more than just teaching, Dellario wanted to give others what he got from his teachers—inspiration and encouragement. Identifying and nurturing budding artistic talents has become one of Dellario’s greatest joys. “Oh yeah, I’ve found budding artists,” he said. And when he does, he’s compelled to elevate them: “I nurture them further and try to give them opportunities.” 

He cited examples like sponsoring two promising painters to join the prestigious Washington Society of Landscape Painters, where he serves as president. Another student who just won first place at a Plein Air event in Pennsylvania sent him an email thanking him for his support and mentoring. “I saw her potential. I knew she was going somewhere – and she is.” 

Bernie Dellario Expressive Landscape

In his new role as Adult Education Coordinator for the Academy Art Museum, Dellario hopes to fan that creative spark for learners of all ages and backgrounds. “We’ll have about 30 different offerings this spring/summer,” he said, “classes like pysanky egg art, bookbinding, rug hooking – expanding beyond the traditional painting and drawing.” He aims to engage diverse artistic interests: “I want to appeal to a broader audience, with a broader range of interests, and get more people here doing different things.”

Reducing barriers to entry is also a priority. “We’ll offer introductory classes where supplies are provided,” he said. “If someone wants to try something new but doesn’t want to invest in all the supplies upfront, it’ll be easy to just sign up and dive in.” Making art education accessible is very important to Dellario’s vision.

Bernie Dellario – Alla Prima Still Life

Besides accessibility, Dellario is also on a mission to find great talent for AAM by bringing in acclaimed artists from around the region and country to teach workshops and classes. “Whenever I see somebody that might be good, I ask, ‘Hey, do you want to come teach at the Academy?’ I’ve added new people locally who hadn’t considered teaching before and others from nearby areas who can easily come share their expertise.” 

PleinAir painting is one of Dellario’s artistic passions, which he aims to cultivate further at the Academy. To that end, he has Charles Newman and Hiu Lai Chong, two award winners from Plein Air Easton, teaching workshops. However, he doesn’t like to limit himself to any one discipline. “Any good artist should be able to tackle any subject,” Dellario stated. “I like figure drawing, still life – I want to be versatile across different media and approaches.”

This versatility is something he strives to instill in his students as well. “When I’m teaching, I always offer for students to come paint alongside me after the lesson,” he said, understanding the immense value of hands-on learning from an instructor. He can typically be found on Fridays doing just that: “I coordinate outdoor painting sessions,” he said. “I love it when it’s nice to just get outside and paint.” Whether teaching or painting, Dellario is always open to inspiration. “I never know when it will hit me – I may be at the grocery store buying fruits and veggies to eat, then decide to paint them instead! It just happens.”

It is precisely that innovative vision and enthusiasm for creativity that is a perfect fit for Dellario as the Academy’s new artistic leader. “We’re going to have so many fresh offerings taught by instructors who are true experts in their craft,” he said. “My advice? Consider what the Academy has in store. We’re committed to making art education accessible, enriching, and inclusive for everyone.”

If Bernard Dellario’s winding journey is any indication, the Easton community has an abundance of inspiring afternoons of artistic exploration ahead under his guidance.

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Arts Portal Lead

When Hannah Comes Home: Jazz Vocalist Hannah Gill

May 8, 2024 by Val Cavalheri

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Hannah Gill, a small-town girl with a big voice, is coming home! This Eastern Shore native has been making waves in the jazz world, and on May 25th, she’s bringing her talent back to where it all began with a performance at the Oxford Community Center. It’s the perfect kickoff to their new “Jazz on the Stage” series.

Hannah in her younger days

Gill’s rise to becoming a respected jazz singer and songwriter has been fueled by passion and a lot of community supporting her from the start. Now signed to Turtle Bay Records, she’s a rising star with her debut album, “Everybody Loves a Lover,” released just last fall. The record has garnered widespread praise from critics and racked up millions of views from fans online and on streaming services such as YouTube and Spotify.

The Eastern Shore is more than just Gill’s hometown; it’s the fertile soil that helped her musical roots take hold. “I grew up right smack between Easton and St. Michaels,” she said. During her formative years, Gill’s love for music flourished, inspired by the likes of Ella Fitzgerald and the jazz greats she heard played at home.

When she was around 16 and 17, she started going to New York City, eager to “play shows and dip my toes in the water,” as she put it. And the support and guidance of her family and mentors gave her both the inspiration and confidence to pursue her musical ambition.  

Her father, Robbie Gill, CEO of YMCA Chesapeake, made her a promise that as long as she didn’t fall behind in schoolwork, he would drive her or put her on a train to the City (surprisingly, Gill doesn’t drive): “I would get out of school at 2:45, immediately catch the train to make a 6 pm show on a Tuesday night, come back that evening, and with three hours of sleep go to school the next day. It was definitely crazy, but I loved it. It was an amazing opportunity.”

Another pivotal figure was Amy Effler, her choir teacher at St. Michaels, who also became a friend. When it became time to decide whether to defer college, the teenage Gill, fielding many opinions, went to Effler for guidance. “I remember she told me, ‘As your teacher, I don’t approve. As your friend, I think it’s a chance you have to take.’ I joke about it now—it’s been another year, and I’m still making music. We did it. We made the right choice.”

So it was that by the time she graduated from St. Michaels High School in 2015, Gill’s path was set. Although she assumed making a living from music would require becoming a teacher, she nevertheless took a leap of faith and made the big move to the bright lights of New York City that fall. She immersed herself in the local swing dance scene, connecting with seasoned musicians and attending live shows. What she experienced changed her perspective. “I always knew music was my path,” she says, “but New York opened my eyes to a whole new world of possibilities. I started seeing jazz performers being able to support themselves on live gigs throughout the City. If they can do it, I want to figure out how I can. And so I kind of got the bug at that point.”

Hannah’s first show in NYC

Since then, Gill has collaborated with respected artists and ensembles, including the renowned Postmodern Jukebox and famous jazz pianist Gordon Webster. These experiences have shaped her artistry and provided invaluable lessons. “Working with Postmodern Jukebox, my stage presence got well-honed because you can’t look nervous in front of 3,000 people,” Gill said. “And my endurance was something that I learned how to understand when I was touring with them because a lot of times it was five or six nights of shows in a row.” 

Her partnership with Webster unlocked another skillset where she learned to give people what she calls the ‘razzle-dazzle.’ “With swing music, you can’t conform to a pre-written setlist,” she said. “Your audience may want to dance slower or faster. You’ve got to learn to read the room.”

Beyond just performing, Gill’s creative expression itself has continued evolving. “I think that my music has grown as I’ve become an adult, and there’s been a lot of growth,” she said. “If I look back on certain tunes. I wouldn’t sing that now as an adult, but as a teenager, I enjoyed it.”


But it was in 2017 when a medical diagnosis actually transformed her physical singing style. After repeatedly losing her voice due to polyp issues on her sinuses, she turned to a friend who gave her reconstructive vocal lessons to help figure out how to sing without damaging her voice. It changed her range. “When I listen to older recordings now, I can hear myself pushing and straining in ways I no longer have to.” 

As for the inspiration behind her debut album, “Everybody Loves a Lover,” which is a cover of an old Doris Day song, it comes from when she worked with Glenn Crytzer Orchestra, which specialized in music from the 20s, 30s, and 40s. Gill was surprised at the depth of the music of that era. “I had never heard of some of those songs before,” she said. The songs on my record are a combination of tunes that I love and have discovered in my career over the past eight years. If I can do my part to ensure that beautiful songs aren’t forgotten, then I’m happy.”

As Gill prepares to take the stage at the Oxford Community Center, the excitement of returning to her roots is palpable. “I love anytime I get the opportunity to be a part of something that involves the Eastern Shore,” she says. “It makes me feel good. I love where I came from, and this show is one of the reasons why I’m so excited to come back.”

For this special performance, Gill has assembled a remarkable band featuring some of the finest jazz musicians in the City. “My friend Ben Zweig is going to be on drums, and he was on the record, as well as Sam Chess, who played trombone on the record, and Gordon Webster, who plays piano,” she said. “And then the guys that weren’t on the record, who I’m so glad are coming along, including Ricky Alexander on saxophone and clarinet, Mike Davis on trumpet, and Phillip Ambuel on bass.”

Even as Gill continues to captivate audiences with her unique blend of vintage jazz and contemporary flair, she remains focused on the future and her legacy as an artist. “I want to be remembered as somebody who just did what makes her happy musically,” she said. “If you look at my discography, it’s not simple. I’m jumping all over the place genre-wise, but I’m doing that because I just love performing and I love music so much. I want to do it all.”

And so, on May 25th, you can join her homecoming show, as it promises to be a night of unforgettable music and a celebration of an artist whose roots will forever be entwined with the Eastern Shore. Come for the music and stay for the ‘razzle-dazzle.’ Either way, you won’t be disappointed.

To purchase tickets for this special performance, go to: https://oxfordcc.org/jazz/ Need further encouragement? Listen: https://www.youtube.com/watch?v=FlZacyYybkA

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider

Bridging Oxford’s Storied Past and Present 

May 6, 2024 by Val Cavalheri

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John Wesley Methodist Episcopal Church

What do the Oxford Museum and the John Wesley Methodist Episcopal Church have in common? Besides being in Oxford, there is a lot of shared history. In a recent interview, representatives from both organizations sat down with The Spy to shed light on the deep connections between these two pillars of Oxford’s cultural heritage. Participants included Stuart Parnes and Paula Bell from the Oxford Museum (Bell is also the past president of the Jim Wesley Preservation Society & Museum-JWPSM), Jim Reed, treasurer of JWPSM, and Church elder Wayman Pinder. The overlapping stories both organizations hope to highlight are Oxford’s integrated beginnings and how they can be preserved. 

In the heart of the town lies the Oxford Museum, celebrating its 60th anniversary of opening its doors. Stuart Parnes, who has been with the Museum for 15 years, explains their beginnings, which started in a competitive spirit when Oxford decided that if St. Michael’s was going to have a maritime museum, they should have one too. But there was another reason: “In 1964,” Parnes said, “Oxford was finally putting in its first sewer system. The guy with the backhoe digging came up with shards of broken pottery, bottles, and stuff. And he said we should have a museum to put all this good stuff.”

1964 was also the year when Oxford’s population of around 750 residents was evenly divided between white and black communities. While these two groups lived in distinct neighborhoods and attended separate churches, Oxford Elementary School stood out as one of the first integrated schools in the area. Yet despite this fact, Parnes said, “the museum at that time collected very little from the black neighborhood in Oxford, almost nothing.”

A few miles outside of town, on Oxford Road, on a little strip of land, is the one-room building, home of the John Wesley Methodist Episcopal Church. It’s the other part of this story. For this one, we’ll need to go back way before 1964, over a century when this humble church was not just a place of worship but a cornerstone of the African American community here on the Shore. Established in 1838, the originally Black Church had by  1851 31 whites and 26 black members. Said Reed, “When I tell people about the mixed congregation on the Eastern Shore, they look at me like ‘what are you talking about? That’s not possible.’ And that’s a part of history that a lot of us don’t know.”

One way they hoped to make this happen was to create a museum at the site. In 2015, they received non-profit status, and the Church was declared the first African American Museum in Talbot County. Since then, they have worked to raise the necessary funds. They are almost there. As Reed describes: “We just got permits, and a contractor started working on putting in a parking lot, a big drainage swale behind the cemetery, handicap spots, and space for a portable bathroom. Right next to that is the renovated cookshop which is being turned into a museum. It now meets all the ADA (American with Disability Act) requirements.”

For both JWPSM and the Museum, preserving this local legacy has been an uphill journey. “The Museum never collected much from Oxford’s black community before, so we have a lot to backfill now while the opportunity remains,” Parnes said. 

However, the Museum is ready to cross-promote and share resources. “We’ll be sharing things like photographs and documents from town that would be the appropriate things to put into the museum out there,” says Parnes. “People may see relatives they recognize and be motivated to come fill in the blanks about what those days were like. Our goal is sustaining an ongoing dialogue around the diverse yet interconnected stories that define the character of Oxford.”

The stories and dialogues are even more important than the artifacts. “That’s our concern,” said Parnes, “how do we preserve what’s left? How do we capture these stories before it’s too late?” 

Well, one way to honor the history and connection has been by creating a two-for-one community night on May 11th. 

From 5-6:30 pm, the “Memories and Musings” oral history program will take place at St. Paul’s Church in Oxford. Oxford natives will discuss growing up in Oxford in the 60s and 70s. The event is open to the public, but RSVPs are appreciated: [email protected]. 

Pinder spoke from experience: “I cannot remember an unpleasant incident in my life in Oxford. We absolutely knew everybody, and everybody knew you. I’m sure there was racism, but it wasn’t the type that intruded upon your daily life.”

Following the oral history program, the community is invited to Oxford Community Center to the “Spring Soul: Dance the Night Away” from 7-10 with The Comfort Zone Band. It will be a way for the John Wesley Church to celebrate reaching ADA compliance and to raise funds and awareness. “It’s both a fundraiser and a friend-raiser,” explains Reed. “An opportunity for people to get together and appreciate this important piece of Oxford’s African American heritage.” Tickets are available by going to johnwesleychurch.org.

For Pinder, who has witnessed John Wesley’s waning and resurgence across decades, events spark hope: “I’m just so grateful for what that original board did to save this place and for everyone’s efforts since. The chance to be a part of writing this next chapter, sharing those joyful memories while creating new ones – that’s priceless.”

Reed envisions catalyzing broader impacts through their unified work: “We’re hoping to recruit some younger people to get involved as docents. There are real opportunities to change the narratives.”

As these two storied Oxford institutions continue to bring awareness, a revitalized community chronicle is just beginning. United by shared grit and vision, the Oxford Museum and John Wesley Preservation Society and Museum are building bridges – within their town and for the wider world to explore Oxford’s intricate tapestries of Black history, heritage, and hope.

May 11th is a two for one community night! Join us at St. Paul’s Church for “Memories and Musings” and then follow us down the street to dance the night away with the John Wesley Preservation Society at Oxford Community Center. A night to celebrate Oxford history!

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Spy Highlights

Darlene Taylor at the AAM: Reclaiming Untold Stories Through Heirloom Memories

April 29, 2024 by Val Cavalheri

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Currently on view through July 14th at the Academy Art Museum (AAM) is “Heirlooms,” – a profound and meaningful mixed media series by multidisciplinary artist Darlene Taylor. The collages incorporate vintage linens, laces, cottons, and buttons passed down from mother to daughter and friend to friend over generations. But Taylor doesn’t merely gather these textiles as historical artifacts. Through layering, stitching, and a poet’s lyrical touch, she weaves them into powerful artistic narratives that reclaim the inner lives of Black women so often omitted from the historical record.

Taylor’s artistic journey was inspired by the question: what stories lie within the silent gazes of Black women captured in 19th-century photographs? She felt drawn to uncovering the untold narratives of these women, whose voices had long been muted by history. “I look at those images of Black women, and I think about that moment of them standing still, sitting still, and I wonder, what does she feel? What does she think of the events happening in the world around her? I wanted to explore that through language and also through something very near and dear to me, something shared from mother to mother: stitch work. I wanted to put my hands on it.”

The ensuing collages were influenced not only by the photographs and her familial tradition of craftsmanship but also by found items from historical excavations, such as those commissioned by AAM at the former home of Henny and James Freeman – one of the earliest documented free Black land-owning families in the area dating back to 1787. “History, as a muse, points me in a direction,” Taylor said. “As I look at a historical document, as I look at photographs, I wonder how that person sits inside of a history? What about her innermost thoughts as society’s upheavals swirled around her?” 

The exhibition’s textile montages are Taylor’s ways of trying to answer some of those questions. The figures are on backgrounds of collaged paper, stitched linens, and stuck buttons and beads. “Frequently, I find that there are photographs of women where there’s much more detail about the furniture…about the lace someone in the photograph was wearing – maybe even the paint colors in the room, but nothing about that woman,” Taylor said. “And I wonder about her? What’s her story? What’s this moment? She has no agency in this space, and I want to explore places where her voice comes alive and her feelings are shared, expressed, and heard.”

The “Heirlooms” series also exemplifies Taylor’s cross-disciplinary approach, blending visual art with poetic storytelling. Handwritten vignettes and verses intermingle with the mixed media textile compositions. We read snippets like “behind her gaze// she be hold// thorn and rose” on the wall between two life-sized figures, which are turned away from the viewer. This deliberate choice is a visual metaphor for the hidden histories and unspoken truths that linger beneath the surface. Taylor says, “I don’t want to objectify them by staring them in the face. I want to stand alongside and perceive the world from their vantage – to feel the textures and atmospheres they inhabited.”

An accompanying art book, Heirlooms, which Taylor crafted and can be found at AAM (or on her website), contains the series’ poems, photographs, and some earlier work. (By the way, Taylor is no stranger to the written word, as her writing has appeared in literary journals and anthologies). 

Another striking feature of Taylor’s artwork is her invitation to the viewer to explore the feelings she’s portraying by both stepping back to take in some of the large-scale pieces and drawing near to examine the details and layered textures of the smaller, intricately stitched Victorian-type silhouettes.

The 12-inch silhouettes are a bit of a departure from the larger eight-foot pieces as they were put together at the bedside of Taylor’s ill mother, taking form as “silent dialogues” with the fading matriarch. “As I was sitting with my mother, I was contemplating, what would I say to these mothers? My mother had dementia. So I asked her questions, and sometimes I got answers. Sometimes I got silence.” In a way, these smaller figures are a tribute to the fragility of collective memory.

Something else that Taylor said she learned from her mother is a profound reverence and insistence on “tending the graves” of those who came before and preserving what fragmented testimonies endure. A particularly haunting anecdote involved discovering an unmarked cemetery with one small gravestone bearing only the chiseled word “MOTHER.” “I thought that was so powerful,” she said. “This woman is clearly loved by her children. But still, I wondered, what’s her name? When did she go? When did she come here? What more is there about her that I could know? I think about mothers, I think about that tombstone, and just what it means to be remembered, and what it means to have that absence.” The experience inspires her.

And so “Heirloom” continues to grow. “I’ve started thinking more about the textiles in those domestic spaces. So, in addition to the cloth that pressed against those mothers, the cloth they held in their hands, the cloth they wrapped their babies in, I’m also thinking about the fabrics inside the chairs, the wallpapers or wall coverings, the rugs beneath their feet. And I’m thinking about how that also expands the story of her interior life and what she must have felt.”

Just as Taylor is moved by the work she touches, so she invites the viewer to touch – no, not the exhibits – a piece of the fabric that once made up a life. It is situated at the end of the exhibit and was a powerful way to leave, becoming more aware of the importance of preserving the past and that stories can be found even in the smallest scraps of material. 

Heirlooms by Darlene Taylor is on display at the Academy Art Museum through July 14, 2024.

More about the artist can be found on: https://darlenertaylor.com/

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider

Dominique Sessa: The Girl in the Pink Wheelchair

April 24, 2024 by Val Cavalheri

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Assistant Secretary Kim McKay of Maryland’s Department of Disabilities.awarded Governor’s Citation

No matter your mood, stop for a moment and meet Dominique Sessa. Her remarkable and inspiring story just might make you feel uplifted and empowered. You might not necessarily think so at first. At 13, Sessa’s dream was to be a dancer, and given her determination, even at a young age, there was no reason to question her aspiration. But you know the old saying, ‘If you want to make God laugh, tell him your plans.’ It was at 13 that she discovered she had a rare and progressive neuromuscular disorder, and what started with a limp landed her in a wheelchair by the time she was 17. The determination originally channeled toward dancing was now turned toward a platform for change. Today, at 28, she has become a leading voice for disability rights and inclusivity in Maryland.

Not that it was an easy transition. “I felt very lonely and isolated because, especially at that time, there weren’t as many social media connections as there are now. I just felt isolated and lonely,” Sessa said. She also made a life-changing observation, “I can’t be the only one that feels like this,” she said, and launched the website “The Girl in the Pink Wheelchair,” providing a much-needed outlet for women with disabilities to connect and share their stories. Her instincts were right. Her platform resonated with others facing similar challenges, propelling her into advocacy. “I didn’t want people to feel as I felt; I wanted them to feel empowered,” she said. “I wanted them to realize they’re still worthy, and lovable, and phenomenal because there’s always a negative perception when you say you’re disabled. And that’s not something that should exist.” As her passion for advocacy grew, so too did her ability to speak out beyond her own personal experiences.

The COVID-19 pandemic, while devastating for many, proved to be a turning point for Sessa and the disability community. “Suddenly, everyone, able-bodied or not, could understand the feeling of not being able to go to restaurants or visit someone in person,” she said. Virtual access began to matter, and Sessa became involved in the Vulnerable Populations Task Force, which brought attention to the unique challenges faced by the disabled community. “It helped propel me to get involved with local advocacy, which was phenomenal. And it mattered a lot to me because disabled people are the largest minorities. And anyone, at any time, can become disabled.” 

Sessa’s activism has not gone unnoticed. In 2020, Governor Larry Hogan appointed her to the Maryland Commission on Disabilities, making her one of the youngest members to serve and the only representative from the Eastern Shore. Awards and citations followed, including receiving the Human Rights Award from the City of Salisbury. She currently serves as the Commissioner of the State Commission for Disability, Kindness Commissioner for Kind SBY, and she is active on several other boards and commissions. 

On April 17th, in honor of National AT (Assistive Technology) Awareness Day, she was one of three panelists testifying on Capitol Hill, where she shared her experience as an AT user and as Chair of Maryland’s Assistive Technology Loan Program (ATLP) which offers low-interest loans for people with disabilities to afford AT such as speech software, mobility devices, adapted vehicles, etc.  

But Sessa’s involvement now also extends beyond government commissions. It began when people urged her to participate in the Ms. Wheelchair Maryland pageant. Sessa’s first reaction was that she wasn’t a beauty pageant person–until she took a closer look. “When I read about how it is about advocacy and empowering people, well, that’s my idea of beautiful.” 

So she entered the contest and was named the runner-up last year. This year, Sessa made history, becoming the first person from the Eastern Shore to participate in and win the Ms. Wheelchair Maryland title. The connection to this program continues as she prepares for Ms. Wheelchair America, focusing on her platform: “Disability Shouldn’t Have a Price Tag.” “There’s a lot of barriers there. Disability equipment, such as my power chair, was $85,000. And it’s not totally configured or even fully functional. And that’s the thing people don’t realize — if your chair gets broken, who has almost $100,000 to fix it?”

As the Maryland winner, Sessa will be traveling throughout the State advocating for inclusion and equity, making appearances, and raising funds. She hopes to shed light on the financial burdens faced by individuals with disabilities, from costly equipment to inaccessible healthcare. Then, after her reign is over, she will continue with the Ms. Wheelchair program, becoming their statewide coordinator.

Sessa’s advocacy work underscores the critical importance of including disabled individuals in all aspects of decision-making, particularly at the community level. “Accessibility is love,” she said, stressing the need for open dialogue and understanding. Despite the fear of saying the wrong thing, she encouraged genuine curiosity and connection. “A lot of times people are nervous about approaching someone with a disability because there’s that stigma that disability is a bad word or they don’t want to say the wrong thing.” She added that people with disabilities want to engage. “I’m a great talker,” she said, “I’m just not a good walker.”  

As she continues promoting her work, Sessa’s message remains clear: “Keep it coming.” Whether born into the disability community or joining later in life, she urges individuals to use their voices and share their stories. These stories will empower others to do the same.

 

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Filed Under: Spy Highlights

America’s Oldest Operating Inn Gets a New Vision at the Robert Morris Inn

March 18, 2024 by Val Cavalheri

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The next chapter has been added to Oxford’s Robert Morris Inn (RMI). New owner David Snyder is not promising to return the home to its original splendor; he is, however, intent on making it usable and memorable, catering to visitors across the Shore and beyond.

Built in 1710 as “River View House,” the Robert Morris Inn is America’s oldest continually operating Inn. Originally built as a private residence, the house was enlarged and converted for use as a hotel over time, changing hands multiple times throughout its storied history. The Spy met with Snyder to discuss plans for his new place. 

Snyder is a recent addition to Oxford, although he’s been coming out to spend time on the Eastern Shore for the past 15 years. Right out of college (where he majored in history), he worked in the film industry for DreamWorks. He still adheres to this creative stint as one of his most basic characteristics. Snyder also attended law school and has previously dealt with real estate development. Combining all these personas, you’ll find that Snyder is perfect for the job he’s taken on—recreating the glory of the Inn and the man who lent it his name. 

“Robert Morris was the financier of the American Revolution,” said Snyder, “and he’s very much the forgotten founding father. But he deserves tremendous respect because there would be no revolution without him. When George Washington was on the battlefield, Robert Morris was running the government, and he drew on his personal credit to obtain arms and everything needed to fight the battle.”

Salmon Napoleon, with baby spinach and wild mushrooms

Snyder’s excitement about his new place goes beyond the historic angles (although those are huge). It also appeals to his other sides. “I’m coming to it from the Hollywood angle, and it’s a great story. And Morris is an amazing person,” said the filmmaker. “This is a phenomenal property. It’s paradise. I can’t believe it took me so long to find it, especially with all of the potential it has,” said the developer. His creative side drops in the conversation, “I want to make this into an anchor of the community, a place for locals and artists and people to hang and get coffee and read the paper and sit by the water and just enjoy this incredible destination.”

He considers finding the Inn a miracle. Although he had been looking for a home in Oxford, he wondered if any commercial properties were also for sale. “You could buy the Robert Morris Inn,” said his real estate agent. “It was like time froze,” said Snyder. “I couldn’t believe it was for sale. I still can’t. It all feels unreal to me.” He knew with certainty that this was the right decision when a friend asked him why he was doing this. Snyder replied, “How could I possibly not?”

Salmon Napoleon, with baby spinach and wild mushrooms

Snyder sees the future of his property as both a preservation/restoration and a development. Currently (although they’re being worked on), there’s no central heat, AC, or winterization in some areas. He wants to make sure that any changes made are attractive and respects the history of the place. He envisions a time, very soon, when it will be open seven days a week/three meals a day. “There’ll be different eateries and places to enjoy them. There’ll be a gym, a spa, and yoga soon. Or you could hang out in lounge areas or the beer garden,” said Snyder. Also in the works is an in-house bakery that will manufacture all the breads and desserts for both the restaurant and for people who might want to come in and pick up pies or cakes for an event.

But there is more. The beer garden is slated to have a Tex-Mex flare in honor of Arizona, where Snyder grew up. The area facing the Strand will be opened to include an outdoor/indoor bar and kitchen featuring a pop-up-style restaurant. Lounges, coffee stands, bakery, and juice and wine bars will also be operational. “There will be no need,” Snyder says, “for people to go across the bridge for fine foods.”

He realizes this all may sound grand but, to Snyder, totally achievable. He’s aware that part of getting things done is not being afraid to dream big. For that, he relies on two things: channeling Robert Morris and surrounding himself with competent people who can dream along with him. “Part of keeping the history of this is to create a brand around Robert Morris, and the first and most prominent way is the restaurant,” said Snyder.

The Financier—Chesapeake Bar & Grill, as it is called, just opened last week and is currently serving an expansive menu that includes mussels, oysters, and other seafood items, steak, lamb, as well as international and eclectic fares such as empanadas, sushi, and tandoori chicken. The branding continues here and, if not now, will soon also include Robert Morris coffee, beer, and wine.

This is where the competent people component comes in. First, General Manager Gretchen Gordon, who is not new to Oxford or great food, is the former owner of Latitude 38. Snyder had admired her restaurant and knew with certainty that he wanted Gordon to be part of the team. “It was the opportunity of my lifetime,” said Gordon. “I couldn’t say no.”

The other ‘superstar’ is Executive Chef Sean Raspberry. No stranger to fine dining, Raspberry has served as executive chef up and down the East Coast, including helping open up or working at local restaurants Out of the Fire, General Tanuki’s, and Schooner’s Landing (now Capsize). It is his global fusion culinary experience influence that is guiding the menu. He, too, is excited to be working with Gordon. Joining them and connecting the old to the new is former owner Mark Salter’s son, James, who will be helping in the kitchen. Obviously, with a space and the talent behind RMI, weddings and other events will be an essential part of their business model on-site, as will the catering bringing fine food to your table or organization.

For Snyder this synergy of talent is exactly what he’s after, not just for himself and not just for the moment. “This is a team thing,” he said. “We’re here to build a family. We have job creation opportunities, we have brands, we have new things that never existed before, and it’s exciting to see where we’ll end up.”

Of course, as the name indicates, the Robert Morris Inn is more than a restaurant. Said Snyder, “We’re going to renovate all the rooms. Right now, they’re small, but we will make them into suites and maybe even create outdoor space. There’s a lot of potential to be unlocked in this entire building.” But this will happen at a later phase. 

“It’s going to be an anchor of the community. It’s going to be a place where, as soon as you get off that ferry, you’ll see umbrellas and tables, where you can get coffee or pastries or a breakfast burrito. And the draw will be that corner, and it’ll help bring tourists and locals into our community.”

Robert Morris Inn is now open for dinner and plans to open for lunch and breakfast over the next few weeks. (Reservations encouraged for parties of 6 or more) Sunday – Thursday 5 pm – 9 pm  Friday and Saturday – 5 pm through 9:30 pm 

]

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Spy Highlights

From Farmers’ Markets to Greek Gourmet: The Greek Food Dream of Peter and Lucka

March 13, 2024 by Val Cavalheri

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Olives being bottled

It all started with a Greek olive. Peter Paris and wife Lucie ‘Lucka’ (pronounced Lutzka) had taken their marinated olives to gatherings for as long as they could remember. Along with the compliments were the encouragements for the couple to start a business selling the olives made from Peter’s Greek grandmother’s recipe (with a slight modification). They usually laughed it off until that one day when Peter said, “Why not? Let’s give it a try.” Even though it was the middle of the 2020 pandemic, ‘Our Greek Market’ was born.

They began by selling the olives at the farmer’s markets. “It grew from there.” Lucka said, “People would ask how they could get the olive oil that marinated our olives, so we started selling it too. But then, the olives and oils went so well with real Greek feta cheese… we started to add that and then just built it up from there.”

The Paris’ are no strangers to entrepreneurship. Peter was a real estate developer until 2000, when he sold his business and moved to Prague, Czechoslovakia, working for Berlitz teaching English–which is how he met Lucka. The two started a business training program for executives in soft skills, management skills, team building, etc. When Peter’s mother got sick, the couple moved to the Eastern Shore.

It was what they got into next that surprised us. Peter co-founded the ‘Across the Bay 10k Chesapeake Bay Bridge Run,’ managing the event for almost a decade and attracting 25,000 participants yearly, making it the third largest 10k in the US. In 2017, they sold the event to Ironman, the sports holding company.

Fast forward to last year, when the farmer’s market version of ‘Our Greek Market’ got too big to contain all the new products the Paris’ were interested in curating. ‘Our Greek Market’ opened a brick-and-mortar food and processing place on Canvasback Drive in Easton. 

This location gave the Paris’ a place to introduce all the ideas they never seem to run out of. Besides various olives, there are now several items typically used to create Greek meze (small dishes/appetizers): olives, fire-roasted eggplant, feta, etc., different types of olive oil, multiple blends of balsamic, and, of course, Greek cheeses. As much as possible, they are sourcing everything in large quantities from Greece and mixing, cutting, and vacuum sealing the produce in-house.

 “We’re just enthusiastic about good food, about Greek food in particular, and we love to share that enthusiasm with other people who walk in here,” says Lucka. But this love runs deeper than just personal taste. Lucka, who was raised in Europe, and Peter, who comes from a big Greek family, understand the value of fresh, natural ingredients. Which is why they’re big believers in supporting the local farmers. Said Peter: “We’re not here to compete with anyone local. We just bring in high-quality imported products to complement what’s already here.” Added Lucka, “I have a very good feeling about buying my produce from our local farmers. They are important. We need them, and we love supporting them.”

Education is essential to the experience at ‘Our Greek Market.’ “When you buy here, you will also learn about what you’re buying and where it’s coming from,” says Peter. They encourage customers to sample anything and everything in the store. They also host open house events on the second Thursday of each month, when they put out samples of most of their products. 

Recently, they’ve also begun offering Greek wines for sampling and purchase. “You don’t hear about Greek wines because I don’t think they have a strong marketing behind them,” Lucka said.” She was inspired to research the Greek wines and wineries, and what she discovered surprised her. “They are high quality and quite good. They have been well received,” she said.

It’s refreshing to hear the Paris’ enthusiasm about what they carry in their store. “I’m a fan of Greek cheeses,” said Peter. “The marinated olives and the balsamic are something I really enjoy. I grew up eating roasted eggplant spread, and you can’t get it anywhere. So we’re making it here, along with another favorite of mine, the roasted red pepper feta spread.” Lucka mentioned her favorites, which, along with the marinated olives, included yogurt, halloumi cheese (cut and sautéed on both sides until it’s crunchy), and, of course, the Greek wines. Their own line of spanakopita and other products are being developed with Greek chef consultants.

Regarding future plans, Lucks and Peter would eventually like to open a Greek gourmet wine bar in a touristy area with more foot traffic. “We’ll serve small plates, not restaurant type of stuff. It will be a place you could come in and have a variety of Greek appetizers, cheeses, olives, spreads with pita bread, Greek desserts, and possibly a couple of glasses of wine. We would continue manufacturing here in this place but have a little wine bar elsewhere,” said Peter.

But in the meantime, you’ll find them offering enthusiasm and lots of samples, introducing guests to Greek food, one tasty bite at a time.

Our Greek Market: 9523 Canvasback Dr, Suite 101, Easton, MD 21601

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1 Homepage Slider, Spy Highlights

The Eagle’s Owl Nest: After Years of Teasing, This Great Horned Owl Couple Finally Delivers

February 28, 2024 by Val Cavalheri

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In 2020, the Spy published a story about Blackwater National Wildlife Refuge (NWR) that began like this: This was supposed to be a story about eagles. We were going to cover the installation of a camera above an eagle’s nest at the Blackwater National Wildlife Refuge (NWR) in Cambridge, one that would follow the progress of an eagle couple returning to their nest.

Well, this story is now about owls. Maybe.

————-

Fast forward to 2024, and we can update that story, which is now definitely about owls, particularly a nesting Great Horned Owl (GHO) couple expecting the hatching of their two eggs!

To catch up: The Friends of Blackwater (FBW) put up a streaming cam in 2020 to follow the goings-on of a busy eagle’s nest. Unfortunately, the eagles abandoned it at that point (except for an occasional visit now and then). The owls, too, have come and gone, but the rental remained vacant.

Until this year!

“We have a female owl that has been teasing us every year, coming and sitting on the nest and never laying any eggs,” said Lisa Mayo, webmaster for FBW. “She would mimic all the behaviors of an incubating female sitting on eggs. She would look down under herself as if tending eggs, rock back and forth with her brood patch against the nest, but there was nothing there.”

The behavior was repeated winter after winter, to the point that everyone gave up on any ‘egg action.’

This year, the teasing stopped, and two viable eggs appeared!

“One of our cam watchers alerted us, and Lisa went back and grabbed the video from it. When she gets up at night, you can see the two eggs pretty clearly,” said Bob Quinn, who manages the IT equipment for the cams.

Quinn, who retired as the IT Infrastructure Manager for the Consumer Financial Protection Bureau and is now a volunteer at NWR, describes the technology behind the live cam. “We use a PTZ Cam, (pan/tilt/zoom). I can move it vertically, around 360 degrees, to capture various angles,” Quinn explains.

Unlike ospreys, who take turns sitting on the eggs, the female GHO does all the incubating. “We’ve never seen the male change places with her,” Quinn said.” “We have seen her leave for a few minutes and come back. Maybe because the male hasn’t delivered enough food, and she went out for a snack.”

Given their nocturnal nature, cam viewers don’t often see the type of food the male brings to his mate, but it is probably consistent with their diet of mainly small mammals – mice, voles, muskrats, and snakes. Whatever it is, chances are these owls had no problem in their hunt. According to Quinn, great horned owls are apex predators, meaning they are at the top of the food chain. “They’ll take out an eagle. They’re silent fliers and come in from behind. So they’ll fly in and dig their claws into everything, including a larger bird. They’re extremely efficient hunters.”

The big question now is whether these eggs are viable after years of no production from this site. Mayo says it’s hard to know if this is the same couple that’s been teasing them annually. “We can just assume, based on their behavior, it’s likely the same couple. But we can’t guarantee it because we don’t tag these birds.”

The experts are uncertain about the owl’s behavior, theorizing that she is either a new parent or an older owl reaching the end of her reproductive time. “We’re not sure – there are many gaps in the story because you can’t interview them down at the nest!” Mayo said.

A GHO egg incubates for approximately 30-37 days, and the second egg was first seen on February 2nd. Expectations are that the first hatch will happen around the end of this week – beginning of next week (February 28th).  “We’ll definitely be watching even more closely then,” said Mayo. “Just to be able to keep folks updated.”

Volunteer cam watchers always notify Mayo if they see anything interesting happening at the nest. Quinn also monitors the cams even when at home. “I have two screens on my computer in my bedroom. And I keep it up on one of the screens. So that if something happens, like it goes out of focus, I can go in and refocus it. Or if I see an event, I’ll notify Lisa so she can grab the video.”

Motion detectors are also set up as an alert system. Maintaining live cams for a wildlife refuge has its challenges, especially when relying on solar power and rural internet connectivity. Quinn related instances of lost video feeds, sound issues, and inclement weather causing disruptions. “We’ve had some problems where we’ve lost the sound. And it turned out that a piece of equipment got fried, and we had to go out and replace it,” he said.

Obviously, major issues have required some hands-on triage. “We’ve had to go into the woods and reboot.” However, should anything happen while there are nesting birds, they would not be disturbed until after the fledglings have left.

There are currently five live streaming cameras: Two on the Eagle’s Owl’s Nest, an Osprey Cam, a River Osprey cam, and a Waterfowl Cam in the middle of the field, which spins around showing various views of migratory birds during different times of the year. The costs of the live streams are covered by FBW rather than the federal government or wildlife refuge.

Looking ahead, the chances of the owls returning next year seem slim. GHOs don’t build their own nests but take over other birds’ old nests. “Sometimes they’ll make a nest cut out on a rock formation – anywhere that’s convenient,” said Quinn. Unlike eagles, who invest in maintaining sturdy nests and return to them annually, owls trash their seasonal sites. “It’s common that the nest never gets used again,” Quinn added.

In fact, the borrowed eagle nest that currently houses the GHO pair is deteriorating from lack of maintenance over successive winters. Mayo is cautiously optimistic, hoping that if the chicks hatch successfully this year, the nest will hold up long enough for them to fledge successfully.

“Hopefully not this season, but I envision that the nest will eventually form a hole, or part of it will sink, or it may fall out of the tree,” she said. “It’s hard to know what will happen, but something will happen because these owls are not making any effort to strengthen it. It’s not in their behavior.”

For now, all eyes are on Mama GHO as the baby watch begins. But being part of this wildlife reality comes with a disclaimer:  “Our cameras display raw, unfiltered nature that might include wildlife interactions and weather calamities that we cannot control. We have a no-intervention policy, as we are just observers.“

Still, how can we resist a front-row seat to nature’s real-life reality show?

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Archives, Eco Lead, Eco Portal Lead

Spiritual Sounds: Tracing the Roots and Relevance of African American Spirituals

February 14, 2024 by Val Cavalheri

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Something magical (and spiritual) is happening this weekend. On Sunday, February 18, from 1–3 pm, the Water’s Edge Museum in Oxford, Maryland, will host Deanna Mitchell for a special presentation and conversation about the history and evolution of African American spirituals.

Deanna Mitchell

“I come from a musical background, grew up singing in church, and was naturally drawn to spirituals,” said Mitchell, who has served as the Superintendent of the Harriet Tubman Underground Railroad National Historical Park for the past six years. “I have totally embraced the history of spirituals and the connection that Harriet Tubman had with this music. So it made perfect sense for me when I was selected for this position that I dove into that aspect of her life.” 

Mitchell is deeply aware of the broader scope and significance of spirituals during slavery when they served as more than just melodies of worship. “For free blacks, spirituals were a source of connection, community, and faith. But beyond that, they also encoded hidden messages to coordinate opportunities for escape and freedom. Mitchell shared an example of a spiritual, “Go Down Moses,” which Tubman would sing upon her return to signal her return and readiness to give assistance: “Go down Moses, Way Down on Egypt land, tell old Pharaoh to let my people go.”

Over time, spirituals have continued to evolve, influencing various genres of music right into modern times. “We can see spirituals transform into what we know as blues,” said Mitchell. “And then eventually into gospel music. You can hear where that music is coming from and what it’s based on. The root of those gospel and blues songs are our spirituals. Elvis Presley was a country singer, but he understood the significance of those Negro songs, what they meant and how people embraced them.” 

Her upcoming talk at the Water’s Edge Museum will dive deeper into this history and evolution. It will be set against the backdrop of visual artist Ruth Starr Rose (1887-1965), whose paintings captured African American life in Maryland in the 1930s and 40s. There will also be singing. “We’re going to learn about how spirituals and sorrow songs and chants and field hollers (songs sung by enslaved workers) all embraced these aspects of music and how it contributed to their lives, whether it be their work, whether it be their family time, whether it be their spiritual time. I will end it where we are today and how we now interpret spirituals. So it’s going to be an engaging opportunity for everyone.” 

Mitchell envisions the event as an “unplugged, informal conversation” rather than a structured presentation. It builds upon her efforts to champion Harriet Tubman’s legacy across the Eastern Shore and forge connections between cultural institutions.

That mission resonated with the founder of the Water’s Edge Museum, Barbara Paca, who approached Mitchell about collaborating. “It was so organic. Barbara attended a program in 2022 that was held at the park, where I was a speaker. After the event, she came over, introduced herself, and said: ‘We have got to talk,'” Mitchell said.

There was an immediate realization that the two shared common goals. “Barbara and the Water’s Edge Museum are doing something important in how we build our communities and interlock with each other.”

Whether listeners are familiar with spirituals or learning their origins for the first time, Mitchell hopes they walk away with a deeper appreciation for this music and its role in history. Mitchell herself continues working to share that story. She recently brought on board Andrea Garcia, a Chesapeake Gateways Ambassador whose focus will be to build out the park’s educational component to a wider and broader audience. “We’re looking to have the students think and understand the different types of musical instruments that were used in Africa, along with the different types of dancing. The full gamut.”

After 37 years serving in federal agencies, Mitchell said her current calling feels more purposeful than ever as she builds these connections and partnerships. She wants to ensure Caroline, Talbot, and Dorchester counties are “all in this together” when it comes to uplifting Harriet Tubman’s legacy. 

And this Sunday afternoon, there will be an extraordinary opportunity to be part of a journey through the rich history of spirituals. It promises to be an enlightening and soul-stirring exploration of the music that has woven through the fabric of African American history.

Something special is happening at the Water’s Edge Museum. And Deanna Mitchell can’t wait to have you be a part of it.

—–

Spirituals in African American History
Sunday, February 18, 2024, 1:00 pm to 3:00 pm
101 Mill Street, Oxford, MD
Admission is free

 

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: 1A Arts Lead

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