Washington College Poets Win Two Major National Poetry Awards


A second-year English faculty member and an alumna who is now assistant director at the Rose O’Neill Literary House each have earned two top national literary awards in poetry. Kimberly Quiogue Andrews, assistant professor of English and creative writing, has won the 2018 Akron Poetry Prize for her first full-length collection,A Brief History of Fruit, while Lindsay Lusby ’08 has won the 2018 Agha Shahid Ali Prize, awarded by the University of Utah Press, for her first full-length collection, Catechesis: a postpastoral.

“It is a testament to the talented writing community fostered here at Washington College that we can celebrate not one but two incredible poetic achievements,” says James Allen Hall, director of the Rose O’Neill Literary House, associate professor of English, and award-winning poet and essayist. “Each of these prizes—the Akron Prize and the Agha Shahid Ali Prize—are nationally competitive prizes with presses that make beautiful and award-winning books. One of Akron’s books was a finalist for the National Book Award in poetry last year, for instance. I feel honored to work with both of these poets and thrilled that poetry is thriving at Washington College.”

In its announcement of the 2018 Akron Prize, the University of Akron Press describes A Brief History of Fruitas shuttling “between the United States and the Philippines in the search for a sense of geographical and racial belonging. Driven by a restless need to interrogate the familial, environmental, and political forces that shape the self, these poems are both sensual and cerebral … Colonization, class dynamics, an abiding loneliness, and a place’s titular fruit—tiny Filipino limes, the frozen berries of rural America—all serve as focal markers in a book that insists that we hold life’s whole fragrant pollination in our hands and look directly at it, bruises and all.”

Kimberly Quiogue Andrews and Lindsay Lusby

This year’s judge, Diane Suess, selected Quiogue Andrews’s collection from 687 entries, calling it a “superb collection” that “offers up history—personal, familial, post-colonial, geo-political, ecological—and indeed the history of fruit, fruit as sustenance, pleasure, exploitable product, as image, parent, love, and wound… The formal variety is remarkable without calling too much attention to itself . . . the experiments arise organically from each poem’s purpose and particular emotional hue.”

Quiogue Andrews’s BETWEEN won the 2017 New Women’s Voices Prize from Finishing Line Press, and she is a two-time Academy of American Poets prize winner and a Pushcart nominee. Her poems have appeared in Poetry Northwest, Grist, West Branch, Nat. Brut, The Shallow Ends, and Tinderbox Poetry Journal, among others. Her essays and criticism have appeared in the Los Angeles Review of Books, ASAP/J, and elsewhere.

Kimiko Hahn selected Lusby’s Catechesis: a postpastoral, and the University of Utah will publish the book in June 2019. Lusby is invited to read as part of the University of Utah’s Guest Writers Series from the Department of English.

In Catechesis: a postpastoral , Lusby poses the question: If Clarice Starling and Ellen Ripley could warn the girls and women to follow, what would they tell us? The work combines Grimm fairy tale with understated horror movie and the Book of Revelation to construct a vision of the lush green dangers and apocalyptic transformations inherent in girlhood. This lyric lore, which includes strange diagrams and collages of the botanical and the anatomical, contains hidden instruction to prepare girls for the hazards ahead. The manuscript was a finalist for the 2018 Dorset Prize at Tupelo Press and a semi-finalist for the 2018 Brittingham & Felix Pollak Prizes at the University of Wisconsin Press.

Catechsis by Lindsay Lusby is a daring and true debut collection,” said Kimiko Hahn in judging the award.

Lusby, assistant editor for the Literary House Press and managing editor for Cherry Treeis also the author of two chapbooks, Blackbird Whitetail Redhand (Porkbelly Press, 2018) and Imago (dancing girl press, 2014), and the winner of the 2015 Fairy Tale Review Poetry Contest. Her poems have appeared most recently in Passages NorthThe Account, North Dakota QuarterlyTinderbox Poetry JournalFairy Tale Review, and elsewhere. Her visual poems have appeared in Dream Pop Press and Duende.

About Washington College

Founded in 1782, Washington College is the tenth oldest college in the nation and the first chartered under the new Republic. It enrolls approximately 1,450 undergraduates from more than 35 states and a dozen nations. With an emphasis on hands-on, experiential learning in the arts and sciences, and more than 40 multidisciplinary areas of study, the College is home to nationally recognized academic centers in the environment, history, and writing. Learn more at washcoll.edu.

Church Hill Theatre “Hitched” — A Play by Earl Lewin


Let the Party Begin! The cast of playwright Earl Lewin’s “Hitched” – Front row – Amy Moredock, Howard Mesick, Jane Jewell, Christine Kinlock, Chris, Rogers, Back row – Charles Moore, Peggy Chiras, Steve Hazzard      Photo by Peter Heck

BC Productions proudly announces the premiere of Hitched, the latest script by Chestertown playwright Earl Lewin. “Hitched” is a slang term for getting married. The dictionary defines it as “loosely tied.” This is a family’s tale of pulling formality and informality into one uncomfortable knot. 

Hitched tells what happened when the widely dispersed members of a large family all return home for the “big wedding.”  Now they are all together again for the first time in years and staying in the same house! The mix is a clash of cultures and generations that will have you laughing and crying at the emotional relationships that make this crazy family care about and love one another.

The scene opens in the living room of middle-aged Millie Baker. Millie is 15-years divorced and looking forward to hosting family members at her home in Phoenix for her nephew Jim’s wedding weekend. Blow-up mattresses at the ready, her family (including the unexpected appearance of her ex-husband) convergences on her home and then on her comfort zone. Her brother Harry is several times divorced and living in Philadelphia with his current wife, Penny who is half his age. Jim–Harry’s son with his first wife Linda–is marrying into a socially significant Phoenix family. The wedding is supposed to be a dignified and formal affair. Only maybe not with Uncle Harry and Aunt Rhoda on the loose!

A heart-to-heart talk between mother and son in “Hitched” (Howard Mesick and Peggy Chiras)     Photo by Peter Heck

Among the house guests is Millie’s son Bruce. Millie is unaware that Bruce, a professor at Georgia State University, is gay. Bruce is bringing his partner, Spike, to introduce him to the family. Spike is a civil rights attorney practicing in New York City. Harry’s sophisticated cousin Brenda also lives in New York City. Millie’s outspoken, obnoxious Aunt Rhoda is among the guests. Millie’s ex-husband, now running a mission for orphan boys in New Guinea, shows up uninvited asking Millie to take care of him while he recovers from minor surgery.

Performances of Hitched will be held at Church Hill Theatre over two weekends beginning on Friday, September 28th and running through Sunday, October 7th. Friday and Saturday performances begin at 8 pm, and Sunday matinees begin at 2 pm.

The cast includes Peggy Dixon Chiras as Millie.  Chiras made her on-stage debut in Lewin’s 2015 production of Accidentally Wealthy and more recently starred in the 2016 production of Saint George’s Blues. Steve Hazzard portrays Harry, also appearing in Accidentally Wealthy and Saint George’s Blues. Hazzard first appeared at Church Hill Theatre in How the Other Half Loves and has acted in many roles in Michigan theater productions. Portraying Harry’s wife Penny is Christine Kinlock who appeared in Lewin’s Orlando Rising. Other recent credits include Rowena in Biloxi Blues; Rosalind/Ganymede in Shore Shakespeare’s As You Like It; the title role in Sylvia at The Garfield; and Hermia in Shore Shakespeare’s A  Midsummer Night’s Dream. Chris Rogers plays Millie’s ex-husband Spencer. This performance marks his sixth BC Production. Rogers is a well-known, local actor and co-founder of the Shore Shakespeare Company. He will next appear as Henry Lodge in Move Over, Mrs. Markham with Tred Avon Players in Oxford at the end of October.  

Howard Mesick portrays Millie’s son Bruce. Mesick is both a playwright and a familiar face on local stages playing lead roles with The Garfield, Church Hill Theatre, and Shore Shakespeare Company. Portraying Bruce’s partner Spike is Charles Michael Moore. He has acted in productions of You Can’t Take It With YouYou’re A Good Man Charlie BrownHurlyburly, Fugue In A Nursery, The Importance Of Being Earnest, Wit, Under Milk Wood, Woyzeck, and The Rocky Horror Show. He has also directed shows for both Washington College and Church Hill Theater. Amy Moredock portrays Brenda. Moredock has performed in many BC Productions including The Burgundy Wine Mob and Not Responsible which provided her with NYC experience. Other credits include Church Hill Theatre performances as Regina in The Little Foxes, Maggie in Cat on a Hot Tin Roof, and Elvira Condomine in Blithe Spirit. Aunt Rhoda is played by Jane Jewell who is well-known to Eastern Shore audiences through her performances with BC Productions, Church Hill Theatre, The Garfield, and Shore Shakespeare’s 2016 summer production of Macbeth. Tom Dorman portrays Grimm. He has played a wide range of impressive roles at Church Hill Theatre and The Garfield. Dorman portrayed the title role in Lewin’s Orlando Rising. Rounding out the cast are Eddie Dorman (cab driver), Troy Strootman (Jim), Maya McGrory (Victoria), and King Kong and Yoda playing themselves. 

Assisting Lewin with the production is an equally experienced and accomplished crew: Kathy Jones (Stage Manager); Lewin (Set Design/Construction); Rogers (Sound Design); Doug Kaufmann (Lighting Design/Operation); Speedy Christopher (Sound Operator); Eddie Dorman, Bruce Smith, Kevin Chiras (Stage Crew).

At the wedding in “Hitched” (Steve Hazzard, Christine Kinlock, Amy Moredock)   Photo by Peter Heck

Lewin, a published playwright, having had two one-act plays published by Baker’s Plays, brings his extensive experience to directing his own script. Church Hill Theatre has a collaborative history with Lewin having provided a venue for Lewin’s original scripts including two musicals She Stoops to Conquer, The Musical and Celluloid both featuring musical scores by Dick Durham. Celluloid played Off-Broadway in 2010. His murder-musical The Burgundy Wine Mob also debuted at CHT to go on to an Off-Off-Broadway production in 2012.  Lewin’s Orlando Rising premiered at Church Hill in 2017, Saint Georges Blues in 2016, Accidentally Wealthy in 2015, and then Visiting Sam in 2014. Hitched marks Lewin’s fifth annual production to be staged at Church Hill Theatre in as many years.  Lewin’s short script entitled Not Responsible was also featured in the Short Play Lab’s MidTown Festival in New York City in 2013.

Please plan to join Lewin and his accomplished cast and crew as they unfold a family tale of love and fear of love, marriage, and alimony! Performances will be held at Church Hill Theatre September 28, 29, and 30 and October 5, 6, and 7 (Friday/Saturday performances at 8 pm and Sunday matinees at 2 pm). For information: call 410.556.6003 or visit the Church Hill Theatre website. All tickets are $15 (cash or check only) and may be picked up prior to the performance at the box office. Reservations are suggested. 


Kent Island Federation of Arts Hosts an Exhibit of WAF


The Stillest Hour by Gerry Czajkowski

The Kent Island Federation of Arts will host an exhibit of art of the members of the Working Artists Forum in October.  The theme of the show is “Inside, Beside, and Otherwise”. The KIFA gallery is located at 405 Main Street, Stevensville, MD.  The exhibit will run October 3rd through the 27th. A reception, open to the public, will be held on October 11th, from 5 to 7 PM, and an award for the People’s Choice Award of Recognition will be given at that reception. The phone number at the gallery is 410-643-7424 or email ifo@kifa.us. KIFA gallery hours are: Tuesday 10-1, Wed. through Friday 10-4, and Sat. 10-1.

The Chesapeake Film Festival Announces Its 2018 Cinematic Line-up


Featuring a record 48 films from around the world, the 11th annual Chesapeake Film Festival promises an unprecedented celebration of films and filmmakers. Travel around our own Chesapeake Bay, through the gardens of Europe, the deltas of Africa, and the heart of American communities to witness the universal spirit of our planet.

October 11 – 14, 2018

Easton, St. Michaels and Cambridge, MD

Ticket sales on www.chesapeakefilmfestival.com

Join thousands of film lovers on Maryland’s scenic Eastern Shore this October at the Chesapeake Film Festival (CFF), where great stories begin. Our historic Maryland venues include the Avalon Theatre and the Academy Art Museum in Easton; the Chesapeake Bay Maritime Museum in St. Michaels; and the Cambridge Premier Cinemas and the Dorchester Center for the Arts in Cambridge.

From Thursday, October 11 through Sunday, October 14, audiences will delight in the magic of extraordinary films, meet the filmmakers, participate in lively discussions, and enjoy receptions and events created to enhance the Festival experience.

New Chefs on the Block

The CFF 2018 has something for everyone: A festive opening night about – and with – food; investigations into pressing social issues; virtual visits to amazing spaces; up-close and personal profiles of icons of cinema; creative short films and animations, and much more.

Opening Night Extravaganza

New Chefs on the Block, “a foodie sensation,” opens the Festival on Thursday, October 11.  Two chefs in Washington, DC struggle to open and maintain their first restaurants. Against all odds, one becomes Bon Appetit Magazine’s Best New Restaurant in America. The other is forced to redefine success.  The film, directed by Dustin Harrison-Atlas, stars Aaron Silverman of Rose’s Luxury and Frank Linn of Frankly…Pizza with cameos by legendary chefs and restaurateurs Danny Meyer (Shake Shack, Union Square Café), Mike Isabella (Bravo “Top Chef” Allstar), and Washington Post food writer Tim Carman.

To complement the cinematic portrait of chefs, the Chesapeake Film Festival will host an all-star reception with local gourmet chefs at the Academy Art Museum before the screening at the Avalon.  Businesses providing delectable hors d’oeuvres and desserts include Gourmet by the Bay, The Wylder Hotel, Stars Restaurant from the Inn at Perry Cabin, Limoncello Italian Restaurant and Wine Bar, The Bistro St. Michaels and Flying Fork Catering.

Fabulous Friday

Friday at the Avalon begins with an amazing clay-on-glass animation, The Elephant’s Song, directed by local artist Lynn Tomlinson.  From the animated short, the festival moves to a stunning feature-length documentary, Into the Okavango that tells the story of a NATGEO expedition to Botswana with a mission to help preserve the delta, all the animals and land surrounding it, and people who reside there.

The finale of the day, In the Executioner’s Shadow, casts a penetrating look at the consequences of the death penalty through three powerful stories, including the rare perspective of a former state executioner who comes within days of executing an innocent person. This powerful film will be screened again Saturday at the Cambridge Premier Cinema. The filmmakers and the subjects of the film will lead discussions after the screenings.

Making Waves at the Chesapeake Bay Maritime Museum

The Chesapeake Bay is the focus of a full day of environmental filmmaking curated by filmmaker Sandy Cannon-Brown on Saturday, October 13 at the Chesapeake Bay Maritime Museum (CBMM). The day concludes with the premiere of a new film by Tom Horton, Dave Harp and Cannon-Brown, An Island Out of Time, about Smith Island, MD.  The icing on the cake, figuratively and literally, is a reception with Maryland’s state dessert, the Smith Island multi-layer cake.

The environmental program also includes a double feature of films by Roger Sorkin and the American Resilience Project, including the East-Coast premiere of a new film about the transformation of America’s electric grid, Current Revolution. The other film, Tidewater, looks at the ravages of climate change, sea level rise and erosion on the military installations in the Tidewater area of Virginia.

The CBMM line-up also includes a sneak preview of a short film by Cannon-Brown, Edna E. Lockwood: Bottoms Up! about the three-year restoration of an 1889 nine-log bugeye in the museum’s shipyard.  Edna will officially relaunch two weeks after the Chesapeake Film Festival, during CBMM’s October 27 Oysterfest.

Five Seasons and Moving Stories

Saturday in Easton at the Avalon and Academy Art Museum…

The mix of stories at the Avalon Theatre and Academy Art Museum in Easton on Saturday, October 13, is sure to provide everyone with subjects of interest.

Features at the Avalon: Boko Haram: Journey from Evil, which goes beyond the headlines to profile the heroic efforts of everyday Nigerians to stand up against the terrorist group, which has killed, kidnapped and displaced millions of people. Five Seasons: The Gardens of Piet Oudolf is a gorgeous, meditative documentary that immerses viewers in the work of a revolutionary landscape designer. Moving Stories brings us six dancers from an acclaimed NY company who travel the world to work with youth who’ve experienced war, poverty, sexual exploitation, extreme prejudice and severe trauma as refugees. Cinephiles will appreciate Searching for Ingmar Bergman, an intimate profile of a director who is considered one of the most important filmmakers of all times.

At the Academy Art Museum:  Two programs of shorts bookend the documentary feature Saving Sea Turtles.  Narrated by renowned marine scientist Dr. Sylvia Earle, this enchanting – yet disturbing – documentary highlights the work that is being done to save a species from extinction. The exciting line-up of shorts includes Riverment by Shayla Racquel, a government employee by day and award-winning student filmmaker by night.  Her film is the story of a former civil rights activist who fears for the safety of her granddaughter who is following in her footsteps. In Othello San a young African-American actor is cast as the lead in Shakespeare’s Othello at a prestigious theater school in Japan.  His dreams of stardom are tempered by an intemperate instructor.

Saving Sea Turtles and Riverment

…and at the Dorchester Center for the Arts and Cambridge Premier Cinemas

The Chesapeake Film Festival is honored to add the Dorchester Center for the Arts as partner in the 2018 Festival.  The evening feature of Moving Stories provides a second venue for lovers of dance. The afternoon selections include a series of shorts and a gripping feature, The Sentence focusing on social justice.  Shorts include Othello San and Jabari Keatinga candid, first-person narrative that explores his personal reflections about life as an African-American in America today.

The intense documentary, In the Executioner’s Shadow, which screens Friday in Easton, comes to the Cambridge Premier Cinemas Saturday afternoon.  Lighter fare continues throughout the day with Up to Snuff, about American musician and composer W. G. Snuffy Walden. If you don’t the name, you know his music from such TV shows as The West WingThe Wonder Years and Thirty something. A fascinating subject is featured with Poured in Pennsylvania about the redeveloped beer industry and its impact in Pennsylvania. And there’s Five Days in August which follows two teams competing in the world’s largest and richest billfish tournament—The White Marlin Open in Ocean City.

Poured in Pennsylvania and Bombshell

Sunday Specials

The Chesapeake Film Festival continues through Sunday in Easton and Cambridge. Highlights include I, Matter, produced by Festival board member Alexis Nichols and directed by its brave star, Llysa Rie who will share her story of living with AIDS on screen and on stage at the Academy Art Museum.

Beauty and brains are the subjects of two very different films at the Avalon. The afternoon begins with The Gardener, a walk through the gardens of Les Quatre Vents with influential gardener and horticulturalist Frank Cabot.  The closing night film tells a story that sounds like fiction, but isn’t. Bombshell: The Hedy Lamarr Story is about the astounding, but little-known, talents of a Hollywood bombshell off-screen. Lamarr helped develop a secret radio system that would allow the Allies to torpedo Nazi U-Boats with deadly accuracy. The nephew of her partner in the invention, musician George Antheil, will share anecdotes with the audience after the film.  An awards ceremony and reception closes out the Festival.

This schedule is subject to change. For more information and tickets, visit chesapeakefilmfestival.com.

The Kent County Arts Council Presents “The Unlading”


THE UNLADING, a dramatized poem, written and directed by Robert Earl Price, commissioned and produced by the Kent County Arts Council for Sultana Education Foundation’s Downrigging Weekend 2018.

The first stolen African people arrived in North America in August 1619 at Point Comfort, Virginia (Marker at Fort Monroe, Hampton, VA).  They were used to buy food for the captain and crew of a Dutch Man of War, they were brought to Jamestown and sold.  Their arrival was marked by four words, “20 and odd Negars”, by John Rolfe, in a letter to Sir Edwin Sandys, Treasurer of the Virginia Company of London. Two years later, in the Virginia census, they would be listed simply as “un-free”.

THE UNLADING is a dramatized poem in one act, written by Kent County’s award-winning playwright and poet, Robert Earl Price.  Price imagines the thoughts, words and past lives of each of these enslaved Africans as they are unladed from a Dutch Man of War.  (Downrigging attendees will know the Kalmar Nykle, from Wilmington, Delaware – this is a Dutch Man of War.). The poem was originally presented at Downrigging Weekend 2017 as part of a concert given by The Pam Ortiz Band, and has since been commissioned by the Kent County Arts Council into this dramatized piece. It will be performed four times throughout the 2019 Downrigging Weekend Festival at Janes Church in Chestertown with a cast of six local actors.

Performances are FREE and will be held at Janes United Methodist Church, 120 S. Cross Street, Chestertown as follows:

Friday, October 26, 2018 – 6:00 p.m.
Saturday, October 27, 2018 – 1:30 p.m. and 7 p.m.
Sunday, October 28, 2018 – 1:30 p.m.
The play runs approximately 30 minutes with no intermission.

The Kent County Arts Council is pleased to present this program in partnership with Sultana Education Foundation and their Downrigging Weekend. This production is funded in part by the Maryland State Arts Council, The Hedgelawn Foundation and The Indian Point Foundation

Please visit www.kentcountyartscouncil.org or call 410-778-3700 for more information.

The 2018 Chesapeake Film Festival October 11-14


Join thousands of film lovers on Maryland’s Eastern Shore at the Chesapeake Film Festival, where great stories begin. Thursday, October 11th to Sunday, October 14th, the Eastern Shore won’t just be the land of snails and oysters—it will be a sea of film! This long weekend is a celebration of storytelling and filmmaking including workshops, guest speakers, director Q&A’s and jam-packed cinematic discovery.

This year we bring to you an abundance of Maryland premieres, timely environmental films and provocative student films. There’s something for everyone with films that herald new chefs, exquisite gardeners, environmental heroes, a Hollywood movie starlet with a secret, teen grief, marlin fishing, Smith Island, sea turtles and so much more!

The films will be screened at a variety of venues on the shore, including the Avalon Theatre and the Academy Art Museum in Easton, MD; the Chesapeake Bay Maritime Museum in St. Michaels, MD; and the Cambridge Premier Cinema and the Dorchester Center for the Arts in Cambridge, MD.

Not only do you get scintillating film and discussion afterward, but come mingle with the filmmakers at our splashy opening night party at the Academy Art Museum, our environmentally themed event at the Chesapeake Bay Maritime Museum and our closing night Award ceremony and party.

For more information, please go to chesapeakefilmfestival.com or email us at info@chesapeakefilmfestival.com.

Sumner Hall Offers “Seventeen Men” with First Friday Kickoff


Sumner Hall is pleased to announce the official opening of the exhibition, Seventeen Men on Friday, September 7th at 7:00 pm. The public is invited to meet artist and genealogy enthusiast, Shayne Davidson who will speak about the story of Seventeen Men at 7:30 pm.

After she examined a locket-sized photo album of seventeen soldiers of the 25th Regiment, Company G of the USCT (United States Colored Troops), Shayne felt compelled to learn more about these individuals. She scoured countless documents – including census records, certificates of birth marriage and death – to construct family histories of the men; she then created life-sized colored portraits of each.

The exhibition will be installed at Sumner Hall through October 2018. In addition to regular museum hours, 11 am – 2 pm each Saturday, you may arrange to visit at other times by appointment. Contact info@sumnerhall.org for more information.

Abstract & Ceramics Exhibit Opens at RiverArts


Be Still My Heart, Stephanie Somers

Whimsical, inspiring, utilitarian, simply beautiful: the RiverArts’ Abstract and Ceramics exhibit runs through September 30, with an opening reception on First Friday, September 7, 5 to 8 pm.

Curators Barbara Parker and Ronn Akins asked artists to open their minds, open your souls, and allow color and form to be inspiration for your work. As they relate in the curator’s statement,  “The interplay of color, motion, and form combined in composition is what the artist feels and thinks at the moment of conception and are the elements that create a reaction for the viewer.This show exhibits all of these fascinating qualities, whether it is in ceramics, fiber, or paint.  The array of works presented rise and surpass the challenge of working away from the known and in a realm that is often without language.”

The Abstract and Ceramics show, free and open the public is on view through September 30.

Art lovers are also encouraged to stop in to the ArtsAlive! Education Center, 200 High Street on First Friday to view the PopUp Exhibit featuring RiverArts Life Drawing artists Julia Brown, Holly Geddes, Brady Hart, Penny McCrae, Barbara Slocum, Barbara Snyder, and Ann Stoylen,  This show is on view for one night only, Friday, September 7, from 5 – 8 pm.

KiDSPOT will be displaying an Art Activity Retrospective from 5 to 7 pm open on First Friday – families welcome!

For more information visit www.chestertownriverarts.org call RiverArts at 410 778 6300.

Chestertown RiverArts is located at 315 High Street, Suite 106, Chestertown, MD  21620 – (in the breezeway).  Gallery hours are Tuesday – Friday, 11 AM to 5:30 PM, Saturday 10 AM to 5:30PM, Sunday 11 AM – 3 PM, and open on First Fridays until 8 PM.

The Sisters Rosensweig Opening at Church Hill Theatre


Colleen Minahan plays Sara Goode

Wendy Wasserstein, the important late 20th century American playwright, brought the lives of contemporary women—smart, ambitious, creative and often frustrated by societal expectations—to receptive audiences around the world. Shelagh Grasso directs the Church Hill Theatre revival of the award-winning comedy The Sisters Rosensweig opening on September 7 at Church Hill Theatre.

The sisters are Sara Goode, an international banker living in London; Gorgeous Teitelbaum, a radio talk show host; and Pfeni Rosensweig, a world traveler.  Because it’s Sara’s birthday, her sisters, daughter, friends and boyfriends join her to celebrate.  And because these are intelligent people, the audience is treated to discussions of Reaganomics, the fall of the Soviet Union, social issues and the sisters’ life-long but loving rivalry. Nominated for both a Tony and Drama Desk award for the best play, The Sisters Rosensweig won the Outer Critics Circle Award for the best Broadway Play. According to The New York Times review, the play provides “…[a] captivating look at three uncommon women and their quest for love, self-definition and fulfillment. But underlying the comedy is an empathetic concern for the characters and for the prospects of women today.”

In Grasso’s production, Colleen Minahan plays Sara, Jen Friedman plays Gorgeous, and Melissa McGlynn plays Pfeni. John Shratwieser portrays Geoffrey, a theater director and John Haas takes the role of his friend Merv, a furrier. Shannon Whitaker is Tess, Sara’s revolutionary daughter and Nic Carter plays Tom, her equally political boyfriend.   Bob Chauncey portrays Nicholas, an influential Englishman. The play takes place in the summer of 1991 at Sara’s London home.

The production team includes Stage Manager, Michelle Christopher; Producer, Sally Borghart; Choreographer, Lucia Calloway, and Costumers, Tina Johnson, Sally Borghart and Emerson Borghart.  Carmelo Grasso and Tom Rhodes built the set from a design by Carmelo and Shelagh Grasso.

The Sisters Rosensweig opens at Church Hill Theatre on September 7, 2018, and runs through September 23, with performances on Friday and Saturday nights at 8 pm and Sunday afternoons at 2 pm.  Tickets are $20 for adults and $10 for students, with special prices for groups of ten or more. CHT offers 2 for the price of 1 tickets on opening night, Friday, September 7, to those who reserve by phone. Reservations can be made by calling the box office at 410-556-6003 or online at www.churchhilltheatre.org