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Delmarva Review: Beside Myself by Kerry Leddy 

March 9, 2020 by Delmarva Review

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Editor’s comments:  We will occasionally see the word “courageous” in descriptions of the best memoirs and personal essays. This descriptor signals that the author has taken us on a very personal…often uncomfortable… journey, bypassing normal fears of telling to share raw feelings while unearthing ours. We know we are experiencing the author’s quest for truth and meaning. That quality distinguishes literary writing as an art, a search for truth. This is what distinguishes Kerry Leddy’s courageous writing in “Beside Myself,” which was nominated for a Pushcart Prize. 

So much about those first days following Sarah’s death have vanished, like a drawing on an Etch A Sketch that has been shaken. All that remains are a few blurred images of the steady stream of friends and family arriving at our door with Tupperware containers filled with stews, casseroles, and salads. Our refrigerator was overflowing; my stomach was empty. 

But the visit of one condolence caller, a neighbor, has stuck in my mind with an awful clarity. Almost as soon as he finished hugging me, he asked, “So, did Sarah ever try this before?” His tone was chipper. 

“Suicide?” I asked, befuddled, certain I had misunderstood. 

“Yes. Did she?”

Did he really want me to tell him the details that she had been hospitalized once before? I hoped my terse response signaled that I did not want to discuss this further. 

“Oh, so this time she was successful,” he said, his voice rising at the end, injecting a bizarre tone of enthusiasm, as if Sarah had finally broken a new swimming record. 

Shaken, I responded, “Why, yes! We always wanted her to persevere. She did it!” 

Immediately, I wanted to take it back, imagining that in his anxiety and discomfort, he wasn’t thinking clearly, that he would soon regain his reason and feel terrible. But, no, he seemed not to notice my sarcasm. He just pursed his lips and nodded, as if we were in complete agreement that kids today need to work harder and stick to it. 

With the death of my eighteen-year-old child, I had been plunged into a world I barely recognized. 

I longed to disappear into sleep, but I couldn’t. My mind was afraid of what I might see and feel in that vulnerable space. Instead, I walked and walked, through the rooms of our house, up and down the street, back and forth. I was like a caged lion trying to pace my way back to life as it should be. 

When sleep finally came, it was more like taking the batteries out than gradually powering down. Usually a vivid dreamer, now I found only white space. My thoughts were saying “No, this I refuse to envision.” 

One morning, I was standing in my driveway retrieving the newspaper when my neighbor Janet walked over “for a visit.” She took a deep breath, took my hand, and said, “Kerry, how are you? I don’t know how you survive. I know I couldn’t.” Her words were meant as a kind of compliment, but they sounded strangely accusatory, as if she were saying, “How can you be standing here, surviving at all?” Were my grief truly devastating, I would not be standing upright. I would be forever prostrate, inconsolable. At one time, I too would have imagined I couldn’t go on, wouldn’t survive if I lost one of my children. But you do go on breathing in spite of yourself. In spite of the knee-buckling despondency that continues to overtake you. 

Now I had a new way of understanding the word “visit.” I lived in a world others did not want to stay in. A place where a child, once vital and full of hope, could become ill with bipolar disorder and wish to die. Friends might come and sit for a while, chat, drink tea, have dinner, but no one would want to feel at home here, to imagine this kind of tragedy could happen to them. Parents need to think they can keep their children safe. I was every parent’s nightmare. 

Before Sarah, I would have been right there with them—just visiting. 

How could I be with others when every part of my body hurt, even my eyelashes? Every encounter, every street corner, every moment brought deep pain, as if shards of glass were flying at me from all angles. Each outing was perilous and left me close to weeping. Seeing people do ordinary things—going to lunch, shopping, walking dogs—acting as if life were exactly the same. Didn’t they know nothing was the same? For me, the very sunlight was an intrusion. I wore sunglasses at all times, even indoors. 

Every word, every action, had a new context, a new meaning. One afternoon, I went to pick up my younger daughter, Anna, from school. I was searching the halls when the dean of students popped out of her office and inquired in a friendly voice, “Have you lost a child?” As soon as the words left her mouth, she looked stricken. 

Another time during that first month, I received a call from a woman who ran a support group for parents who had lost children. I imagined there must be some database of grieving mothers, since I had received several calls offering help. After inviting me to their next meeting, the kind woman told me about the other parents in the group and the comfort they found in sharing their stories. “No one other than another parent who lost a child can understand what we’ve gone through,” she said. 

Her words struck me. What are we to call ourselves, we parents who have lost a child? If a husband dies, you are a widow; with the death of a wife, you are a widower; when your parents die, you are an orphan. We have ways of understanding these losses. But when your child dies, there is no word for what you become. It defies our language, defies our comprehension. Too dreadful to have a name. 

Thinking about the group, I found myself hesitating, questioning whether I could sit with others, listen to their pain. On the one hand, it could be comforting to be with people who would understand what I was going through. On the other, I wondered if I was up to it. 

As she went on, pointing out the many ways parents in the group found solace in each other, my mind went back and forth between yes and no. It felt as though I had flipped a coin when I said, “Yes, I’ll come.” Grabbing a pad and paper, I jotted down the time and location. 

When I was about to hang up, she asked, “How did Sarah die?” 

My head whirled. “She was sick. Depression. Bipolar. Suicide.” 

Clearly sensing my hesitancy, she added, “I’m so, so sorry. You know we have another mother who comes regularly who lost a daughter to suicide ten years ago.” 

After a brief pause, she added, “And, even more tragically, three years later her other daughter took her life.” 

I felt like my brain was going to explode. “Oh, my God,” I gasped, almost dropping the receiver, as though a shock wave had passed through the phone line and burned my hand. I wanted to cover my ears, tell her to please, please, stop. I couldn’t get off the phone fast enough. In that moment, no matter how much sympathy I felt for this mother, or how much support I needed, I didn’t want to get anywhere near her. I didn’t want to be in a world where losing my other daughter was even a possibility. 

A few days later, I received a call from a friend-of-a-friend- of-a-friend whose son had died a year earlier, asking me if I might want to get together. I decided lunch with just one mother, who had lost just one child, might be manageable. 

We sat in a booth, across from each other, at a local restaurant that I have no memory of—but what I do remember was her very first question: “How many were at your service?” 

I could barely absorb her words. I kept thinking I must be misunderstanding. I knew my brain was still not functioning properly—maybe that was the problem. 

“I’m sorry…how many…What?” Gradually, understanding seeped in. “Oh, at the memorial?” 

She nodded.

“Um…” I tried to envision the service, to calculate the numbers, to give her an answer. I could barely remember the room. I started to feel lightheaded. 

“I’m sorry. I don’t know. I can’t picture the place or who was there.” 

She continued, “We couldn’t even fit everyone at ours. There were over a thousand people. They needed an extra room to hold our overflow. They had to watch the service by video.” 

I just stared as I pushed the food around on my plate. 

For a second, I felt transported back to the early days of mothering: Whose kid read youngest, whose was the most gifted, the best athlete, whose kid had the most friends? Was I meant to feel that my daughter’s funeral might not have been good enough, big enough, well-enough attended? 

You win. 

It took everything in me to get through that meal. I had already left the restaurant and was just waiting for my body to join me. 

Time was passing. Bit by bit, I was being called to pick up the pieces of my old life, before Sarah’s death, but that only made me more painfully aware that she was really gone. As was my former self. 

When the email reminder arrived for my next book club, I didn’t respond. I was changing my mind hourly. While several members were my closest friends, women I’d known for over twenty years, I still wasn’t on safe ground. A part of me wanted to see them—they had been with me throughout this ordeal, we had raised our kids together—but I didn’t feel ready to face the entire group. 

Mostly it was my conscientious side that felt compelled to push through. But when I pictured myself sitting there, carrying on small talk, it seemed impossible. How could I go back to my old life when my old life was gone? 

I said to my husband, Alan, Sarah’s stepfather, “I don’t think I can go.” Then, moments later, “Maybe I should try.” To each round of my obsessing, he would join whichever side I was leaning toward: “You shouldn’t go if you’re not ready,” or “It might be good for you to get out. You can always leave if it feels bad. But only go if you feel up to it.” 

Book club began at 7:30, and at 7:30 I was still in my kitchen—not going. Then, at 7:35, I was going, but late. I’m never late. 

Pacing the kitchen, Alan tried settling me down with a hug. “Please, don’t!” I said. I was jumping out of my skin. 

Finally, hating this indecision, I grabbed my keys and headed out to my car. 

My hands gripped the steering wheel as I drove through strangely empty streets. My stomach clenched. Come on, I said to myself—it’s only book club, not a root canal. Halfway to my friend’s house, I pulled off on the side of the road. I would turn back. 

My cell phone beeped with a text. “Where are you? We miss you.” 

I urged myself on, suddenly fearing that if I didn’t go tonight I might never return, that I would let my former life slip through my fingers. 

Pulling up to the house, I turned off my car lights and sat in the dark, staring up at the silhouettes of my friends milling about the kitchen. It was easy to imagine the conversations inside, conversations that I had been a part of for years, about jobs, husbands, perfect children, imperfect children—perfectly alive children. 

Taking deep, long breaths, I climbed out of my car and approached the house. My legs felt heavy. I crept along the side path, out of the kitchen windows’ line of vision, in preparation for flight. 

As I reached the front door, I started to cry. “I can’t do this,” I said aloud and began my retreat. 

But another car had just then pulled up. Without cover, I turned the doorknob and went in. 

Instantly the room fell silent, but then quickly my friends all began talking at once, greeting me with long, deep hugs. 

No one mentioned Sarah, perhaps fearing I would dissolve. Still, she permeated the air and every molecule of my body. She was the absent presence. 

Through a haze, I watched as the ladies returned to drinking wine and nibbling on hummus and chips, as we always did before we got started talking about the book. I had no appetite, but to keep busy I picked up a cracker and with shaky hands spread some cheese. I took one small bite but quickly realized that I couldn’t chew or swallow. I grabbed a napkin and tried to spit it out. 

I could barely hear the words floating around me as the small talk resumed. I watched lips move, but no sound came through the loud humming in my head, the kind I do during scary movies, to block out the scene. 

Yet somehow the clinks of the wine glasses broke through, and I heard a voice say, “Kerry…Kerry.” 

Oh, that’s my name. Respond. Respond, I directed my brain. 

“Mmm…?”

“We made your favorite—brownies.”

“Oh…thanks,” I said through a half-dead smile. 

Then the first land mine detonated. One of the book- clubbers announced, “Oh, we are so thrilled! Molly got this incredible scholarship to Brown.” 

There were some half-hearted congratulations as my closest friends cast sympathetic looks my way; one took my hand and gave it a tight squeeze. Another tried to change the subject, but I needed to get out. I headed for the bathroom. I stared in the mirror, repeating my now familiar mantra—breathe in, breathe out— willing myself to stop crying. 

There was a knock on the door.

“Ker, you okay in there?”

“Yeah, sure. I’ll be right out,” I said as I wiped away the smudges of mascara.

“I know this must be horrible,” a voice said through the door. Afraid to speak, fearing I would fall to pieces, all I could say was, “Yes.” 

Returning to the group, I stood off to the side, my arms wrapped around my chest. Nearby, Laura was telling several of the women about a historical novel she was reading. Suddenly, she stopped mid-sentence, touched my arm and gently asked, “You okay, baby? You’re swaying.” 

“Yeah, sure,” I said, adding, “I didn’t realize I was moving,” as I tried to quiet my body. 

In my head, I repeated, “Please, no one look at me, no one speak to me.” But within minutes I was moving again, shifting my weight from one foot to the other. 

I thought of Sarah, how like most infants she loved motion—constant motion. Sometimes, as I swayed and bobbed with her in my arms, she would throw her head back or twist around to take in the world, especially faces, from another perspective. I think I found this rhythm as comforting as she did, like soothing music playing in my head. 

During the first year of her life, whenever Sarah wasn’t in my arms, I’d still find myself swaying. How naturally all that swaying came to me—maybe something wired in me from my own mother, maybe from all mothers to their babies. I remember disembarking from a weeklong cruise, returning to steady ground, and how my brain continued rocking and rolling for days—my sea brain, unable to recognize the solidity of land. 

With Sarah, my brain never stopped registering her as part of me, her body as familiar as my own. Here I was, rocking myself to soothe my distress, as I had once soothed hers. Maybe my swaying brought her back, comforting me in a place where once I had felt so alive and essential, but where I now felt so completely adrift and alone. 

Tears started.

“I’m sorry, I have to go,” I said and headed for the door. 

A week or so later, Alan and I ventured downtown for tapas. My old dance teacher, Lin, whom I hadn’t seen in years, was leaving the restaurant just as we arrived. I was trapped. Knowing she had likely heard about Sarah, I steeled myself for her approach, the uncomfortable outbreak of “I’m sorry.” 

But Lin neither avoided me nor made light conversation. Instead, she walked right up, looked me in the eyes, held my gaze, and gave me a long, tight hug. Then she walked on. Not a word uttered. Nothing was required of me. I slowly exhaled. I couldn’t have told Lin what I needed, but somehow, she had gotten it exactly right. 

It was late October, three months after Sarah died, when Anna’s first semester parent-teacher conferences were scheduled. It felt crushing having only one student, one child to consider. When I arrived for my first allotted ten-minute meeting, I sat numbly across from Anna’s math teacher. I tried my best to look interested, but I’m sure I appeared to be in a trance. I was doing my own math, counting the tiles on the floor, then the ceiling. 

My second conference was with Anna’s Spanish teacher. As soon as I sat in the chair across from him, my mind flashed to Sarah’s memorial service, where he had sat to my right, with the headmaster and the many teachers who had come to support Anna. My composure dissolved. With no place to hide, I wept. Not a few tears—this was a downpour. No matter how hard I willed myself to stop, no matter the embarrassment, there was no off valve. 

My tears blotted Anna’s test papers, which Señor Murga had laid before me. He continued on, telling me how amazing she was, about her latest grades and her homework assignments as I wept. The nicer his words, the harder I cried. When my time was up, I shook his hand and left the room. 

I hadn’t spoken one word. 

No longer able to see or touch Sarah, I was in a constant state of dislocation. A few days later, as I was driving home on the Beltway, I heard Christina Aguilera’s Beautiful on the radio—the song that had played as mourners walked out through the sanctuary at Sarah’s memorial. Within seconds, my sobs made it too difficult to drive. I pulled off at the next exit to calm myself. I would take the local roads home. I started up the car to resume my ride, but I couldn’t remember the route. I felt brain damaged, unable to make connections; it was as if I were looking through a kaleidoscope. In my mind, I could only see two spots— my home and where I was now—nothing in between. 

Strangely, in that moment, my mind touched on a simple game from childhood that I used to play on long car rides. A little blue car sits atop a piece of cardboard with a picture of a road curving in all directions, like a maze. The car was held in place by a plastic cover. With a magnetic wand held under the board, my goal was to move the car from the starting point to the finish line. 

As I sat, frozen, enclosed in my car, on the side of the road, my hands stuck on the wheel, staring straight ahead, I thought how I needed a magnetic wand to lead me home. 

I called my husband.

“I’m so scared. I can’t figure out how to get home.”

As I drove, listening to his directions, I kept repeating to him how beside myself I was and how frightened I felt.

Only once before had I experienced anything close to this. It was the morning I took four-year-old Sarah and her friend Connor to the playground. The park had ten slides, a train ride, and, most importantly for Sarah, a plastic pig trash can that “ate” your trash. After watching the two of them line up for the longest slide, I waited at the bottom to catch them. Connor swooped into my arms first. I expected Sarah right after, but another child appeared. I felt a pang of worry, but I assumed she’d be out next. When she wasn’t, I grabbed Connor’s hand and quickly climbed up to the start of the slide. No Sarah. I started calling her name. Other parents jumped in to help. I don’t know how long it took before we found her; she had wandered over to feed the pig some trash she’d found. Then, realizing she had drifted too far, she had set off looking for me, but in the wrong direction. 

Right before a mother yelled, “I found her!” I saw myself from above the park, floating, as if in a dream—beside myself. As if everything was being recorded in slow motion, the image and feelings disconnected. 

Now Sarah was gone, and I was once again pulling myself out of the scene at my most fragile moment. 

For the rest of the day, those two words, beside myself, kept echoing in my head. I Googled the phrase and saw that it comes from the fifteenth century and meant “maddened or out of one’s senses.” 

I thought back to Señor Murga, how I had been dissolved in grief, yet at the same time I was noticing his perfect composure. From this place, I was able to watch myself. The observing part of my brain was carrying on a conversation between my feeling self and the thinking one. Now, I pictured myself asking him, “Señor Murga, have you been speaking to weeping mothers all morning long?” 

Yet even now, as I write these words, I notice it is the clinical part of my mind writing. The emotional part has gotten up and left the room. 

Keeping busy became my fallback. When the weight of grief pinned me to my bed in the mornings, I would think of Anna. She needed me not to crumble, to be the mother she knew, not some ghost of myself. Yet I feared that if I turned my mind away from Sarah, I would lose her completely, shattering my past. I already felt I was losing a part of my future—seeing her as a college student, a young woman, an artist, a mother. All of that had been painted over with one brushstroke. 

I needed to find a way to hold on to both my daughters and still move forward. After my mother died, I remember hearing my father say to friends: “I just have to keep putting one foot in front of the other.” It wasn’t until years later that I heard him add, “I was so distraught. I was afraid if I stopped I would never move again.” 

I decided to get moving, clean out a cabinet, a closet, empty the dishwasher. I wrote thank-you notes to friends for all the meals and support over the weeks and months. I started to deal with the bills and insurance forms that had arrived in our mailbox. I spent hours on the phone with “insurance consultants” who rejected all our claims. Mental illness was not as “real” an illness as cancer or diabetes. 

I became fixated on getting one bill paid—the ambulance that the residential hospital called when Sarah died. She had been there less than a week. That, I figured, was an expense that should be covered. 

“I’m sorry,” said the woman on the other end of the line “but that wasn’t pre-certified.” 

“Pre-certified?” There must be some confusion. The bill was for an ambulance. 

The woman kept repeating that it wasn’t pre-certified, and I kept repeating that one could not pre-certify an ambulance. 

I asked for a manager.

“I am a manager.” We went on in the same endless loop.

“But you’re not hearing me. It was an AM-BU-LANCE! You don’t know you need one until it happens,” I argued. “It was an EM-ER-GEN-CY.” 

“You don’t need to raise your voice with me,” she said. 

I took a deep breath. “I’m sorry. I don’t mean to take it out on you.”

Pleading, I went on, “Just think about it a second—how can someone know they need an ambulance beforehand? Right? Even if you won’t pay me, can you at least please see my point? Just agree that it doesn’t make sense and I will go away. I promise. I won’t even tell them you agreed with me.” 

No, she could not. 

In the end, I gave up, saying, “Well, I’d like you to pre- certify us for five ambulances for the future, so that if someone else in my family ever needs one we will be covered. I want you to write that down and email me a copy.” 

“I can’t do that,” she answered.

“Exactly!”

I paid the bill.

A couple of months later, we applied for new insurance. 

Filling out the application, we had to list previous health issues. Fortunately, physically healthy, the only recent doctor appointments I had listed were the eight sessions of what I termed “grief therapy.” As if that were even possible. 

A rejection letter arrived explaining that they were not insuring us because of the therapy. Assuming it was an error, I called the insurance company. The woman on the phone, after briefly listening, said, “That’s correct; that’s why we didn’t approve you.” 

“For eight sessions?” I asked. 

“Well, one can never know where therapy can lead to, can one?” she replied. 

Actually, I had a pretty good idea where it could all lead. 

“What, as compared to bills for things like cancer, lupus? It was only eight sessions…after my daughter died…She was only eighteen.” I started to cry. 

Her curt response, “Well, my mother died last year, and I didn’t need therapy.” 

“I am hanging up now,” I said. 

Unable to let go of this rejection and this woman’s cruelty, I wrote a letter to the State Insurance Commission. Within a week, I received a call from one of the department heads. 

After Donald identified himself, he began, “I wanted to call you personally. I was outraged when I read your letter—at what happened to you. Both for the rejection of your policy, but mostly for the way that woman spoke to you about your daughter.” 

Now he was choking up. “I lost my son five years ago, and not a day goes by that I don’t feel grief. For that woman to so callously dismiss you and equate her mother dying to your daughter is outrageous.” We spent the rest of our conversation talking about our children. 

I no longer cared about the insurance.

The days grew shorter and the leaves on the nearby C&O canal turned gold and red and then disappeared—even without Sarah. How could anything happen without her there to see it? 

One cool, sunny afternoon, I headed out to walk along the canal path. As I rounded a bend, I noticed Bridget walking toward me. Her pace was spry and brisk, despite her seventy-plus years. I braced myself. I hadn’t seen Bridget since Sarah died. She slowed and smiled softly, her face flushed pink from the cold. Walking up to me, she caressed my arm and said, “Ah, Kerry. I’m so sorry, my dear Kerry.” Her melodic Irish accent was as comforting and sing-songy as if her words flowed over a cobbled streambed. “But remember, she is with God. A good, safe place.” 

Earlier encounters with friends and neighbors had felt like blows that I couldn’t recover from, but on the canal with Bridget I felt as if she were giving me a gift. While I have no belief that Sarah is with God, she most certainly would be if there were one. But I do think she is resting in heaven—a place that exists in the minds of those left behind, where a person is remembered with love. 

Slowly, I returned to the routines of life, once again cooking, once again going to cycling class, once again shaving my legs. Some color was creeping back into a world that had been only black and white. 

Yet the earth could still shake and the ground open beneath my feet—maybe for a moment or two, or maybe an hour— plummeting me back, with everything turning gray. I hadn’t erased Sarah’s number from my cell phone. How I wished her old phone messages remained so I could hear her voice. I kept time by how long it had been since she died. First it was days, then weeks, then months, and now years. 

In some ways, I don’t want the time to lengthen, or to have the immediacy of her loss lessen. And if I am honest with myself, there are times I am loath to give up the pain, because it binds me to her. Like a pebble I carry in my pocket that I turn over and over, its edges worn down by constant rubbing and caressing. 

One afternoon, around the second anniversary of Sarah’s death, I took a painting of hers to be framed and the man helping me said, “Oh, wait, now I know why I recognize you. Your daughter was with mine in school. Um, it’s Sarah, right?” He seemed so pleased to remember. “Yes,” I said, as that crushing feeling returned to my chest. I glided over to another wall, averting my eyes. Following closely behind, he asked, “So what has she been doing?” My face crumbled as I began to weep, momentarily, once again, beside myself. Almost as quickly, anguish spread across his face. “Oh, my God. I’m so sorry. I had heard about Sarah. How could I forget? I’m so sorry. How could I be so stupid?” Ruefully, in that moment, I wasn’t sure which one of us I felt sorrier for. 

When Sarah was a sophomore, she was a member of a fencing team. With her long limbs and quick eye-hand coordination, she was built for the sport. To fence epee style, one needs an arsenal of lunges. Grief had become my opponent, and I had learned some tactics of my own—when to expect the slash and how to shield myself from the flick of the blade. 

I grabbed the painting and headed for home. 

____

Kerry Leddy is a Maryland writer and therapist in Potomac. She is co-chair of The New Directions in Writing program. Her essays have appeared nationally in newspapers, magazines and literary journals including The New York Times, The Washington Post, Zone 3, Washingtonian Magazine, The Huffington Post, Arlington Magazine, The Account Magazine, and Delmarva Review, which nominated her for a Pushcart Prize. She is the co-author of Wearing my Tutu to Analysis and Other Stories (2011), The Therapist in Mourning: From the Faraway Nearby (2013), both published by Columbia University Press, and Who’s Behind the Couch (2017) published by Routledge Press. Meet the Moon is her first novel.

Delmarva Review publishes the best of creative nonfiction, poetry, and short fiction selected from thousands of submissions annually from authors in the region, across the United States, and beyond. The independent literary journal is a 501(c)(3) nonprofit supported by individual contributions and a grant from the Talbot County Arts Council with funds from the Maryland State Arts Council. Print and digital editions are available at Amazon and other major online bookstores. Website: DelmarvaReview.org.

 

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Delmarva Review: A Creature Lives In Every Poem By David Xiang

February 14, 2020 by Delmarva Review

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Author’s Comments: This poem is about the notion that in the beginning was the word. Language is what gave meaning to humanity. The poem challenges that notion, asking us to contemplate the significance of attributing meaning to emotion, to experiences, to objects. The poem asks the reader to consider the cycle, the meaningless or perhaps the incredibly important meaning of language.

A Creature Lives In Every Poem

The first man was of the dust of the earth,
and the second man from heaven.
– 1 Corinthians 15:47

I know him by his writings I can
see the green meadow and shade
that stabs blind pierces into dark
forest outlines questions with the

care of a boy learning cursive It
takes shape slowly Quietly And
there are barely seconds before a
flood erases the riverbank Tints

this black ink beneath our bodies
recolors the blood coursing from
vein to holy waters reunites dust
with his eternally estranged child

But none of this exists Naturally
this is nonsense So he preserves
them as dreams Locked Cut up
Sometimes when he thinks there

is no one writing the dust weeps
sculpts caskets of different sizes
hoping one will fit But he prays
too long Loses vision Becomes

a monster to be pitied Someday
maybe these sentences will melt
and change themselves Baptize
eyes into mud Bring him home.

David H. Xiang is a poet and student of history and science at Harvard College. He serves on the poetry board at The Harvard Advocate, the oldest continuously published college art and literary magazine in the United States. He started writing poetry as a freshman in high school participating in the Kenyon Review Young Writers Workshop. In 2015, he was selected as a National Student Poet. First Lady Michelle Obama invited him to the White House to give his inaugural poetry reading.

Delmarva Review publishes the best of original poetry, short fiction, and creative nonfiction selected from thousands of submissions annually from authors in the region, across the United States, and beyond. The independent literary journal is a 501(c)(3) nonprofit supported by individual contributions and a grant from the Talbot County Arts Council with funds from the Maryland State Arts Council. Print and digital editions are available at Amazon and other major online bookstores. Website: DelmarvaReview.org.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Archives Tagged With: David H. Xiang, Delmarva Review

Delmarva Review: The Harp in the Cellar by Mark Jacobs

January 22, 2020 by Delmarva Review

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Delmarva Review editor’s comment: The author uses sparse, carefully chosen language to create the authentic voice of an aging woman who, from the first paragraph, wonders what possessed her to remember the importance of an old harp in storage after so many years. Is she the woman whose head, with an open mouth and flowing guilted hair, is carved into the crown of the instrument? The stage is set. The language is flowing and true. Description is precise. Each word, each character contributes to an evocative, rewarding story.

The Harp in the Cellar

The crown of the harp was a woman’s head. The woman had flowing gilt hair and an open mouth. Were there teeth? Don’t be impertinent, Eleanor. Teeth or no teeth did not signify. The woman on the instrument’s crown was a singer, her voice rising from the nether regions on strings of gut. Watching Randolph come down the stairs with a box of her neatly folded undergarments, Eleanor wondered what in the world possessed her to remember the harp all these years on. 

The man held up the box. “In the bedroom, I’m guessing. That right, Miss Malkin?” 

She looked away, mortified at this inadvertent intimacy. But what choice did she have? She had decided to move onto the ground floor and needed help to make that happen. The stairs were an accident waiting for her to happen. Randolph–she suspected that was not his name, but he fulfilled the mental function of Randolph for her–worked cheap and followed orders. 

Now that the harp was in her mind, she recalled that back when it was properly strung, before it donned an overcoat of dust, her mother used to play the thing. No, that was wrong. It wasn’t her mother, it was her grandmother, a woman known for her flowing gilt hair. Of course, the harp did not live in the cellar in those days. Eleanor would give her eye teeth to recall when it had been transported thither, and by whose agency and hand. The topic fascinated her, although she had the wherewithal to realize nobody else would give a damn. 

She sat to collect herself, but a moment later here came Like Randolph clomping down the stairs with another box of her clothing. It was a relief, really, no longer being so deeply moved by the sinews of a man’s arm that she could not think, could only quiver in fruitless response. Root cellar fruit cellar coal bin harp, who sewed shut my pussy in the dark? Now where did that come from? Unbidden, the little ditty horrified her. 

Taking a breather, Randolph screwed his face into a social smile to let her know, “It’s on the chilly side in here, Miss Malkin. You want me to caulk them windows before the snows begin with a vengeance?” 

She shook her head. “It’s not cold, it’s just my poor circulation.” 

“Arrowhead’s an old house, isn’t it? Among the ancientest in Bradford County, or so said my ma in her day, God give her rest. And Malkins have been living under this roof for many a generation.” 

“My grandmother’s grandmother sang harmoniously. She was known for her octaves.” 

That was not exactly how she had wished her response to come out, but once it got loose there was no calling it back. Then, when the man said, “How ‘bout I hot the pot for tea?” the question took her by surprise. What did this Like Randolph want? Perhaps, she thought, nothing more than a cup of tea. She nodded, and they sat in the kitchen at either end of the table, which may or may not have figured in her past life; she could not say with certainty. The slippery nature of her recollections—that was another feature of a trying day like the one in which she found herself aswim. Like trying to scoop up fish with your bare hand from a fast-moving creek. 

She watched the man dump half the contents of the sugar bowl into his cup, saying in his reassuring offhand manner, “Mind if I ask you a question, Miss Malkin?” 

“Suit yourself.” That sounded curt, so she rephrased it. “You go right ahead and ask.” 

“It’s two questions, I guess. How come you left Pennsylvania? And how come you came back?” 

 “I was in the information industry, in Southern California. I wanted a career, you see. And, of course, the weather.” 

That made her California life sound like more than it was, although she had never tired of living near the Pacific. Even when the sea was turbulent, its under-calm steadied her. She started out as secretary to a newspaper editor, scaling the company ladder through the years to positions of more administrative responsibility. She bought a bungalow. There was a young pindo palm in the tiny front yard. As her career advanced, the tree grew. Six months ago, long retired, she had gone out into the yard to pick up the newspaper one morning and was taken aback by how old her tree looked. She had felt its rough bark with the palm of her hand and decided to come home. 

Like Randolph nodded, stirring the sugar with a spoon that had belonged to a high-spirited Malkin bluestocking several generations back, or so Eleanor thought had been the case. The man across from her was rail thin and had what people used to call a shock of black hair, lightly streaked with gray. The frank expression marking his broad face led a person to trust him, and his teeth were virtuous. How strange he should wear the same green workpants the real Randolph used to wear. 

“I came back to set my affairs in order.” 

His smile was comforting. “You’re not thinking about giving up the ghost any time soon, I hope.” 

“That’s not what I meant. I am sorry for not saying more. These are weighty matters, or they are to me.” 

“No need to apologize. I don’t mean to be nosy. It’s unusual, is all, a woman of your years moving into a humongous old mansion by yourself. Maybe you’ll have friends to stay with you, help you look after the place.” 

She asked him to repeat his name. The instant he did, she lost it again. That was simply a game her mind enjoyed playing on her. Never mind. 

He was right about the snow. It fell that night for the first time since her return to Towanda. She sat in a Hepplewhite chair by the bow window, wrapped in an ancestral afghan, watching the white make steady, quiet progress covering the sloping lawn as the lights of the borough disappeared behind a curtain of the swirling stuff. 

The lawn looked enormous, even as the snow reshaped its contours. There must be a full acre. Come April, it would need regular cutting. Perhaps Like Randolph could be persuaded to take on the job. Was there a mower in the barn out back? She had not thought to look. 

She rested in her nest for a long little while, beset by a sense of anticipation. At a certain point, the snow stopped, a gap appeared in the clouds, and the moon appeared, fat and sassy, like a pampered princess. The story of a little girl came back to her. It involved a wagon hurtling down the drive that bisected the vast lawn of Arrowhead. It was the green season, and she smelled lilacs. Surely the child must go smash. But at the last moment Randolph stepped into the drive and lifted her from the careening wagon, bruising her underarms where his strong hands grasped her. That was a mighty narrow miss, Missie. The obvious pleasure in his laugh punctured the swelling bubble of her fear, and she laughed as hard as he did. 

That was Randolph, to a T. Being so wrapped up in forgetting other men, she had neglected all these years to remember the one who deserved her gratitude. He worked for the Malkins back when jack of all-trades was a respectable calling. He treated her, from a distance, as a doting uncle treated a niece to whom he was particularly partial. Candy canes at Christmas, a song from the lawn as he worked on a hot day, a bunch of peonies presented with a courtly bow. 

Rising from the chair, she went to the mahogany secretary where Malkins traditionally kept papers of a certain magnitude. There was a letter from Ferguson, who in addition to his legal duties acted as steward of what remained of the Malkin money. She disliked the arid, chiding tone with which he admonished her not to die intestate. Why not? Let him go ahead and tell her why not. She had no heirs. No heirs, no hair, nothing left down there. They were coming fast and furious today, the ditties. It was exasperating. In his letter, Ferguson recommended a mix of conservative charities but of course had the delicacy not to mention the fees accruing to him as executor. Let him stew in his beef. She would not respond until she felt like responding. 

Since coming back, this was the first night she had slept in the guest room. The family had always referred to it as the Cornsilk Room, although why was beyond her since for as far back as she could recall the walls were papered in a plum pattern. The bed was a high four-poster requiring her to climb a cherry step stool that a seafaring predecessor had brought back from a famous archipelago whose name she never had mastered, an Oriental port city where the men went around half nude due to the extreme heat. They carried a type of dagger in their belt; it had a name, now gone. She settled onto the comfortable mattress but had to get up immediately to locate another blanket. Maybe she would let Randolph, Like Randolph, caulk those windows after all. She fell asleep secure in the knowledge that mornings she was better, stronger physically and her mind less fractious. In the morning, she promised herself, the situation would be clearer. 

But in the morning, she woke jostled cheek by jowl in the guest room bed. Hoo boy, what a crowd. Her mother was there, and her grandmother with the little sack of horehound candies she used to carry like ammunition, sweet little bullets she spread in scattershot fashion in a feeble attempt to keep the peace. Eleanor’s father was in the bed along with them, in his absent way. Prince Malkin was anecdotes, to his daughter, always and only anecdotes, capped by the story of his departure from Arrowhead in a chauffeured Packard. From the library his wife, Madelaine, had watched, through mullioned windows, the car disappearing down the drive, Prince slumped in the backseat with his tie askew, preemptive tears of regret glistening on his cheeks, a bottle of the finest rye on the seat next to him like proof positive that one thing led to another. 

Crowded though it was, the bed in the Cornsilk Room contained yet another occupant. Eleanor knew him by his profile but could not look him in the eye, not on an empty stomach. Then, by the time she sat in the kitchen before coffee and toast with marmalade, she was distracted by the enormity of the task she had foisted on herself, coming back to Arrowhead. All the upkeep, the echoing empty space, the sheer size of the place, she had no business taking it on. There was a standing offer for the property that Ferguson had so often urged her to accept she suspected he would get a commission if the sale went through. The proprietor is a little old lady. A spinster, as it happens. Lives in Southern California. She severed ties with Towanda and her family decades ago. Leave it to me and I’ll bring Miss Malkin around. 

It would be foolish to stay on just to thwart the designs of the family retainer. She was capable, she had learned the hard way, of extravagant foolishness. But now, with the winter wind rattling old windows in their panes, the furnace laboring, the drive unplowed and no arrangement made, getting through winter felt daunting, let alone spring and the relentlessness of grass. 

The smart thing would be to junk the whole idea. Let Ferguson sell Arrowhead. Take the money and go to Tahiti. Learn to drink. Write a new definition of profligate. But there was no way she would be smart. She had come back to Towanda for a reason. With time and luck, memory would serve rather than betray her. It was not only criminals who returned to the scene of the crime. 

She heard an engine and made her wobbling way to the front windows to see a blue pickup with an enormous red plow clearing the drive. Relief felt like the instant after a spasm of gas. She watched the driver expertly manipulate the plow until she was sure it was he of the green workpants. Then she went back to the kitchen and brewed a fresh pot of coffee. There was no time to bake, but she fished some powdered doughnuts from the bread box and arranged them on a plate. 

She waited, doing her best not to fret over paying him. She hoped he would simply hand her a bill but feared he would leave the amount up to her. She had no idea what the job was worth and dreaded insulting him with too little, or too much. She waited. 

Waited. Until she heard the truck going away. He was not coming in to see her. Why? As she poured the coffee down the sink, her vexation with the man knew no bounds. She held the empty carafe for a moment. The room spun, its individual objects refusing to stay put in their assigned place. She closed her eyes and gripped the sink edge with her free hand. Opening her eyes again, she threw the carafe at the refrigerator. It smashed brilliantly, like a rejected present. Now here, thank goodness, was a mess she knew how to clean up. 

“I’m scatterbrained. You’ll have to tell me your name again.” 

“Izaak, Miss Malkin. Izaak Walton Duncan, after the famous fisherman.”

“Fisherman,” she echoed.

That was a mistake. Izaak was the word she needed to net, not some fish. Izaak. She had it. Now to keep it.

She was relieved he had come back, though it took him two days to get around to it. Thoughtfully, he’d handed her a folded piece of paper with the bill for clearing the drive written in legible numbers. Handing him cash, she had no idea she was going to say to him what she did. 

“You put me in mind of a man who used to work here. His name was Randolph.”

His smile was large. “Randolph Boggs. I’m sorry to say, Mr. Boggs passed quite some time ago. But he lived to a ripe old age. There was a big turnout at the funeral. People respected Mr. Boggs.” 

“He was kind to me.” 

Izaak nodded again. He was a patient man, which helped. They were standing out of doors, under the portico. The weather had moderated, and the snow was gone. It felt deceptively like spring, the leaping time of year. Eleanor had a black woolen shawl over her shoulders, knitted by a grieving female hand after a relation fell in the trenches at Belleau Wood. The shawl had the weight of ages, not such a bad thing. The sun made the trees stand straight. Izaak wore dungarees, a leather belt around his waist bristling with the tools of his various trades. 

“Would you like to go inside, Miss Malkin? You look a little peaked.” 

“No, I would not.” 

He gave her his arm, and they strolled on the drying pavement of the drive. She said, “I suppose you know all about my father.” That was unfair. She should not have put him on the spot. She tacked leeward and began again. “My father, Prince Malkin, left the family when I was a girl of ten. Irreconcilable differences, I believe is what they call the category.” 

“I’m sorry.”

“At that time, Randolph–Mr. Boggs–was working for us.” That might not seem germane, but it was. She took comfort from Izaak’s patience, deep as seven wells, and inhaled before going on. “After the Packard, that is, after my father left, my mother wrote to her brother. Lambert Thierry was the name. They are French-Canadian, originally. She wanted a man around the house to see to things.” 

“Seems natural enough.” 

It was coming. No, it wasn’t. There was a block keeping it back. The block was her. Izaak pointed to a red fox going into a hedge on the edge of the yellow grass, its stiff brush pointing as if to indicate a direction for her to take. The direction was backwards. 

She said, “There was a problem.” 

“A problem?”

“An incident.”

“I see.” 

The way he said it made it sound as if she had been perfectly clear. Why didn’t more men have that faculty, or choose to exercise it? 

“Down in the cellar,” she said. 

It was all she could manage, and he walked her to the front door. 

She had a restless night and got up to drink a finger’s worth of rum. As she sat with the afghan over her knees in the study, pictures of her life out west came into her mind. They were snapshots of things that seemed to stand for more than themselves. A view of the unruffled Pacific from a sandy bluff at Torrey Pines. The aggressive fin of an enormous blue Cadillac in which she once rode very fast. At a stoplight, one summer afternoon, she had looked over at the driver of the car in the lane next to her. It was Milton Berle. He lifted a hand and waved, like a gentleman. She had made a life in California, her own life. She had persevered. Maybe that was enough. 

It was not. When Izaak–she had his name, finally–showed up to caulk the windows, she stood watching him at his task. She had always enjoyed that, seeing a man apply himself to a job, losing and finding himself in the work. 

“My Uncle Lambert.”

“Yes, Ma’am.”

“I cannot recall why I was in the cellar.”

He kept caulking, which was the right way to go about this conversation.

“He bothered me.” 

Izaak turned around, understanding perfectly. With a level voice he said, “Your uncle molested you.” 

She nodded. All these years on, and she could not stop trembling. The tears were hot as shame on her face. “Randolph happened to come down. It must have been winter. In those days, the house had a coal stove, and he meant to feed the fire.” 

Izaak nodded. “Why don’t you sit down, Miss Malkin?” 

She let him guide her to a chair. 

 “Randolph beat my uncle. Beat him badly. It was a terrible thing to watch. I felt myself to be at fault. What was I doing down cellar in the first place? It was not a place for little girls. The next day, my uncle was gone. No one ever referred to the matter, or mentioned Uncle Lambert again. Mother cried for weeks. She would hold me to her for hours on end. That’s why I came back to Towanda, you see. Back to Arrowhead.” 

“To tell someone the story.”

“Not just anyone.”

Being in his work clothes, Izaak spread a tarp on a chair before sitting down in it. “I am sorry, Miss Malkin. Can I do something for you?” 

“You already have.” 

He stuck around longer than he needed to when he finished the window job, which was kind of him. She baked ginger snaps, and he ate ten or a dozen of them with hot coffee. A thin man could get away with eating cookies like that. He told her jokes she seemed to remember having heard when she was a child. He showed her pictures of his several daughters, which he kept on his iPhone. And he had the decency not to say a single thing that ought not be said. 

That night, she knew before her head hit the pillow what fell to her to do. She slept well. Her dreams were densely textured, like so many blankets being laid over her passive body. In the morning, she took her time. She made oatmeal and drank a second cup of coffee watching four crows work the lawn for insects in a crew, their feathers glinting in the sun like the sleek, unloving creatures they were. 

At some point somebody had put in a new staircase down into the cellar. It was sturdier than what her feet remembered, going down the steps. But the old-fashioned round black light switch was in the proper place, the light it cast as weak and evocative as ever. This bitch will sing, the skies will ring. No. That was not what she meant. There would be no more ditties, unbidden or otherwise. 

The cellar was large, the size and outline of the entire first floor of the house that sat on it. There were crazy crooked rooms, there were nooks and crannies and gloomy corners. She twisted a block of wood that held fast the door of the coal bin, half expecting the harp to be inside, but no luck. The walls were black with coal dust. She traced a straight line with a finger on one wall and closed the door again. 

The place had a smell, powerfully familiar, that no basement on the West Coast ever had or could have. It was a vegetable taint, what vegetables had in common with people, what they left behind. There was grease in the smell, too, and used-up oil. There were secrets, and old understanding. A whiff of the Devil’s sweat. She moved carefully, keeping an eye out for stray objects that could trip her up. 

It gave her a start when she finally saw the harp. Up against the back wall of what used to be Randolph’s workshop, leaning at an odd angle, the instrument had a presence she briefly mistook for human. She stood there looking at it for the longest time, not daring to approach. The weak light abetted her imagination, and she sensed the thing was in distress, alone and unplucked in the Arrowhead cellar for so many years. Such neglect was a savage thing and made her shiver. Yet somehow the harp had kept its identity as a machine designed to produce beauty. 

When she was ready, she grasped it by the column and pulled it to her. There were strings. They must be older than Eleanor was. She was careful not to touch them. 

She pulled the harp by the base with extreme care, one hand on the column guiding. It took a long time to get the instrument out of the workshop and onto the rough concrete floor. She was breathing hard and felt sweat blossom under her arms, cold and damp as it was in the cellar. Her throat felt scratchy. Once, the base bumped over something on the floor as she dragged it, and the instrument moaned. 

“I am so sorry,” she said, not feeling the slightest bit foolish apologizing to a thing. 

She took a break, sat on an upturned apple crate breathing deliberately until her strength returned. What was likely a rat scuttled somewhere low in the dark. Damn the infernal creature. What was there to subsist upon in a cellar like this one? Overhead, outside, the world tore by in its customary frenzy. She felt, for a moment, safely distant from the viciousness of people bloodying one another, from the high, maniacal scream of them. 

She was worn out by the time she dragged the harp to the foot of the stairs. If she had thought ahead, she might have brought something to eat. That way she would keep up her strength. But if she went up now, she would not come down again. 

She sat on a stair, not minding in the least any dust on the seat of her skirt. She rocked back and forth a little. Then she did the one thing that remained to do. She reached out a hand and touched the strings. 

The sound her touch produced was horrendous. It was tuneless and discordant. With growing pleasure, she raked the fingers of both hands across the old strings. The harp responded the only way it could. The anguished, angry sound moved her deeply. A matter, now, of taking her time. Pulling it up she would have to lean the thing, somehow or other bracing it, when she stopped to breathe. But by day’s end–there was absolutely no doubt in her clarified mind–by day’s end, the harp would rest above ground where it belonged. 

Mark Jacobs has published five books and more than 130 stories in magazines including The Atlantic, Playboy, The Baffler, The Iowa Review, Evergreen Review, and Delmarva Review. His stories are forthcoming in The Hudson Review and several other publications. He lives in Virginia. Website: markjacobsauthor.com.

Delmarva Review publishes the best of new short fiction, creative nonfiction, and poetry from thousands of submissions annually. The independent literary journal is a 501(c)(3) nonprofit supported by individual contributions and a grant from the Talbot County Arts Council with funds from the Maryland State Arts Council. Print and digital editions are sold by Amazon and other major online bookstores.  Website: DelmarvaReview.org.

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The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Arts Portal Lead, Arts Top Story Tagged With: Delmarva Review, Mark Jacobs, short story, Talbot Spy

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