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August 30, 2025

Chestertown Spy

Nonpartisan and Education-based News for Chestertown

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Always Buoyant, the Chestertown Raft Race

May 15, 2012 by Kate Livie

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It’s when the first raft disintegrates; dumping its cargo of flamboyantly-costumed rowers unceremoniously into the tea-tinted water of the Chester River, that you know for sure this isn’t your grandmother’s tea party. The thronging crowd along the shoreline roars in support, cheering the homemade rafts as they smoke, wobble, paddle, perambulate, and yes, even fall apart, along the length of their route out from Wilmer Park, around two buoys, and back again to the soft mud of the shoreline. Shoes, wigs, and even a few rogue beer cans float on the river’s surface, while some rafts sink and others row to victory. All for the promise and bragging rights of a trophy proclaiming their status as “Fabulous Flotsam,” or to achieve the distinction of “Da Vinci,” “Van Gogh,” or the “Junior Cup,” Raft Race contenders vie for glory.

Launching the rafts for 2011 Race

Greatness can be earned through spectacular failure as “the Flop” or through overall prowess as winners of the coveted (and elusive) “Tea Cup.” It’s the Raft Race- an annual event that truly reflects Chestertown’s longstanding history since the 18th century as a maritime refuge for eccentric, irreverent and fun-loving folk. It’s simply one of the best things, and also one of the oddest things, that we Chestertonians do.

The TNT raft, 2011.

Held on the Sunday of Tea Party weekend each year (Memorial Day weekend to you), the premise is simple: build a raft of non-nautical materials that can carry at least four people. No engines, no boat parts, and at least half of the competitors’ bodies must be above the water. A few other safety concerns are ticked off, and what you now have are blank canvases for artistic expression, engineering marvels, and personal quirks that seem more akin to Burning Man than the Chesapeake tidewater.

Rafts from the past have been built to look like full-sized giraffes with safari guides inside, the A-Team with a replica of their GMC Vendura Van (complete with mohawks and medallions), a giant butterfly, a pirate ship overtaken in a male ballerina mutiny, and those were just the ones that floated. Many more have succumbed to the Yoo-Hoo-colored waves of the Chester due to faulty construction, half-baked propulsion, or hubristic flights of awkward and unwieldy fancy. But in the end, everyone who enters the Raft Race wins, even if they were passed over for a trophy. It’s an event that’s about embracing the kids and adults that participate, supporting your local community, and letting your freak flag fly high and proud. It’s just enough to make a person patriotic.

This year’s Raft Race stands to be a banner year. Sponsored by the Chester River Association, the event takes place in Wilmer Park on Sunday, May 27th, at 2:30 PM. Pre-registration forms can be obtained from The Finishing Touch on High Street in Chestertown, Maryland, or click here  for  online registration.  All are welcome to enter.

 

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Filed Under: 1 Homepage Slider

“The Nerd” Runs Through March 11 @ CHT

February 21, 2012 by Kate Livie

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Church Hill Theatre is proud to announce the opening of its 2012 Season with uproarious comedy The Nerd by Larry Shue. CHT is equally excited to open the season with the directional debut of Challys E. Withers, a 2009 Washington College Drama Department graduate, who will bring you this irresistible, infectious script. Performances of the production will run from Friday, February 24th until Sunday, March 11th.

Before he died in an airplane crash, author Larry Shue left behind a couple of very memorable and hilarious comedies, including The Nerd and The Foreigner. First presented by the Milwaukee Repertory Theater in April 1981, Shue played the role of Willum Cubbert. Since that time, the play has run on Broadway for over 400 performances and has starred Mark Hamill and been directed by Charles Nelson Reilly.

The Nerd is the story of Willum Cubbert (played by Erik Murray), an aspiring young architect in Terre Haute, Indiana. He has often told his friends about the debt he owes to Rick Steadman (played by Zach Weidner), a fellow ex-GI whom he has never met but who saved his life after he was seriously wounded in Vietnam. He has written to Rick to say that, as long as he is alive, “you will have somebody on Earth who will do anything for you”. So, Willum is delighted when Rick shows up unexpectedly at his apartment on the night of his thirty-fourth birthday party. But his delight soon fades as it becomes apparent that Rick is a hopeless nerd—a bumbling oaf with no social sense, little intelligence and less tact. Rick stays on and on, his continued presence among Willum and his friends leading to one uproarious incident after another, until the normally placid Willum finds himself contemplating violence—a dire development which, happily, is staved off by a surprising ending of the play.

Withers categorizes the plot as a character-based comedy, a tale in which the houseguest from hell interrupts a normal dinner party, quickly dissolving everything into insanity. “However,” she notes, “on deeper inspection, audiences will find a comedy controlled by the choices the characters make and don’t make: from the shoes worn to a birthday party to the soul searching questions which govern deeper choices between art and compromise.”

Pictured here is the geek-wary cast of The Nerd from left to right: Tansy McGinnis (staring Christine Kinlock), Rick Steadman (played by Zach Weidner), Willum Cubbert (played by Erik Murray), and Axel Hammond (starring Joe Radcliffe). Make reservations today for this quirky comedy which runs at Church Hill Theatre from Friday, February 24th through Sunday, March 11th. Performances begin at 8 pm on Fridays and Saturdays, 2pm on Sundays. Call the CHT office at 410.758.1331 or make reservations online at https://www.churchhilltheatre.org.

Withers has put together a talented, eclectic cast of nerds and straight men (and woman) to unfold Shue’s underlying message. Portraying the titular character of the nerd himself, Rick Steadman, is Zach Weidner. Weidner is a second-year drama major at Washington College with a wide swath of experience in both drama and musical production in his hometown of Easton, PA as well as Washington College. Playing his indebted friend Willum Cubbert is Erik Murray, most recently seen in CHT’s production of Almost, Maine. Murray has a long list of impressive and diverse roles here at CHT and performs for audience of the Tred Avon Players, Chesapeake College, and at St. Michaels Community Center. Also caught in the nerd’s web are Willum’s high-strung neighbors the Waldgrave family: Warnock, played by Pat Fee (25th Annual Putnam County Spelling Bee, Rocky Horror Show, Of Mice and Men), Celia, played by Bonnie Hill (board member, Blithe Spirit, Fallen Angels), and their son Thor, played by Kyle Lindenberger (Spelling Bee, Rocky Horror, Fuddy Meers). Playing the role of Willum’s on-again/off-again girlfriend Tansy McGinnis is Christine Kinlock, Wellesley College graduate who was last seen at CHT in The Westside Waltz. Joe Radcliffe returns to CHT in the role of Willum’s best friend, Axel Hammond. Radcliffe has performed such lead roles as Brick in Cat on a Hot Tin Roof and Stanley in Streetcar Named Desire. Rounding out the cast is Kevin Dickerson (understudy).

The production staff includes the following seasoned professionals: Withers (director), Sylvia S. Maloney and Hill (co-producers), Krista Cain (stage manager and properties), Tammy Cain (assistant stage manager and properties), Michael C. Whitehill (set design), Jim Johnson and Whitehill (set construction), Emily Chiras (costumes), Doug Kaufmann and Kat Kaufmann (light design), Fee (sound design), and Challice Metcalfe (sound and light crew).

All long-suffering nerds, closet nerds, and those who love nerds welcome—pick up your pocket protectors and get your tickets today. Please be sure to make reservations for this charming comedy which runs from Friday, February 24th through Sunday, March 11th. Performances begin at 8 pm on Fridays and Saturdays, 2pm on Sundays. Call the CHT office at 410.758.1331 or make reservations online at https://www.churchhilltheatre.org.

Church Hill Theatre
103 Walnut St
Church Hill, MD 21623

Adults $18, Members $15, Students $10

Friday, February 24 – Sunday, March 11, 2012

Friday & Saturday Performances – 8pm
Sundays – 2pm

 

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Filed Under: Arts

CHT Announces Auditions for Sound of Music

February 20, 2012 by Kate Livie

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Church Hill Theatre will hold auditions for its June production of The Sound of Music, a musical by Richard Rodgers (music) and Oscar Hammerstein, III (lyrics) on Saturday, February 25th from 1 to 4 pm; Tuesday, February 28th from 6:30 to 9 pm; and Saturday, March 3rd from 10 am to 1pm. With a long and creative collaboration history bringing beautifully-crafted musicals to life at CHT, Sylvia Maloney will direct this production with musical direction by Faith Souders.

The last musical by the legendary Rodgers and Hammerstein (book by Howard Lindsay and Russell Crouse), this is the unforgettable true story of the von Trapp Family Singers. It takes place just before World War II, where aspiring nun Maria is sent to be a governess for World War I hero and widower Captain von Trapp and his seven children. The Captain, both strict and stoic, does not approve of Maria’s unconventional ways; however he and Maria both begin to fall in love, despite his engagement to another woman, and Maria’s vows to the church. After fleeing the von Trapp home and reaching deep into her soul, Maria returns just in time to find out the Captain has been summoned to duty for the Third Reich. Instead, Maria and her new family head for the hills of Switzerland and freedom. One of Rodgers’ and Hammerstein’s most beautiful scores, this musical includes the iconic songs My Favorite Things, Do-Re-Mi, Climb Ev’ry Mountain, Edelweiss, and So Long, Farewell. CHT is excited to retell this heart-warming tale full of love and hope for the entire family to share.

Needed for principal and supporting roles are 6 men (ages 30’s to 60’s); 9 women (age’s 20’s to 60’s); 5 girls (ages 5 to 18); and 3 boys (ages 10 to 18). In addition, 4 male and 6 female chorus members are needed ranging in age from teens to 60’s. Maloney and Souders ask that all those interested in auditioning for The Sound of Music, come to the theatre with a prepared song and sheet music. Actors will also be asked to read from the script. In addition, technicians are needed for this production.

CHT encourages anyone who is interested, regardless of experience, race, gender, or personal beliefs, to audition. The theatre endeavors, whenever possible, to cast new faces and fresh talent through standard and/or non-traditional means to promote involvement. All roles, unless otherwise announced, are open to anyone auditioning without pre-casting or exclusion. Church Hill Theatre is fully committed to continuing the growth of its talent and volunteer pools and always endeavors to promote community involvement in all aspects of its live theatre.

The Sound of Music will be performed on Fridays and Saturdays at 8pm and Sundays at 2pm beginning on June 8th running through June 24th. For more information, please contact Sylvia Maloney at 410.778.3783 or at [email protected]

Church Hill Theatre
103 Walnut St
Church Hill, MD 21623

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Filed Under: 6 Arts Notes, Arts

Church Hill Theatre Announces Auditions for Equus

January 16, 2012 by Kate Livie

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Church Hill Theatre has announced audition dates for its upcoming production of Equus, a play in 35 scenes of continuous action presented in two acts. Written by Peter Shaffer, Equus chronicles the story of psychiatrist, Martin Dysart, who is attemptimg to treat Alan Strang. Alan is a young man with a pathological, religious fascination with horses. Shelagh Grasso brings her extensive theatrical expertise to CHT to direct this production. The play’s long-term international success reached new acclaim in London and on Broadway when it was revived in 2008 starring Daniel Radcliffe and Richard Griffiths.

Auditions will be held on Saturday, January 21st and Sunday, January 22nd from 2 to 5 pm and Monday, January 23rd from 6 to 8. The production will open the CHT season and run from Friday, April 13th until Sunday, April 29th. Grasso will be casting 15 parts altogether.

Four male, 4 female, and 1 gender-neutral character will comprise the main roles as follows: Martin Dysart (psychiatrist); Alan Strang (17-year-old boy); Frank Strang (Alan’s father who is in his 40s and is an extremely narrow-minded atheist); Dora Strang (the boys mother who is also in her 40s and is a highly religious, doting mother); Hesther Salomon (a magistrate in her 40s who is smart, acute, and friends with Dysart); Jill Mason (a young girl who works at stables and is involved with Alan); and Harry Dalton (the stable owner who is an older man). The parts of Alan and Jill must be performed by actors 18 years or older due to the nature of the parts and the possible stipulation to perform a nude scene.

Six additional actors will also be cast in order to construct the chorus and portray the horses. These characters may be male or female. This chorus includes the Young Horseman, who also plays Nugget. The Young Horseman can be played by either male or female and is not only Alan’s favorite horse but also a central character in the play. This part has no lines, is somewhat of a dance/movement role, and must be played by someone strong enough for Alan to “ride”. All actors portraying horses must display an ability to move well.

Shaffer was inspired to write the play when he heard of a crime involving a 17 year-old boy who had blinded six horses in a small town near London, England. He set out to construct a fictional account of what might have caused the incident, without knowing any of the details of the crime. The play’s action unfolds as a detective story as the psychiatrist attempts to understand the cause of the boys’ actions, while also wrestling with his own sense of purpose in life.

However, numerous other issues inform the narrative; most importantly the religious and ritual sacrifice themes, and the manner in which the boy, Alan, constructs a personal theology involving horses and the supreme godhead “Equus”. Also important is Shaffer’s examination of the conflict between personal values and satisfaction and societal mores, expectations and institutions

Anyone interested in technical work is also encouraged to come to auditions. CHT encourages anyone who is interested, regardless of experience, race, gender, or personal beliefs, to audition. The theatre endeavors, whenever possible, to cast new faces and fresh talent through standard and/or non-traditional means to promote involvement. All roles, unless otherwise announced, are open to anyone auditioning without pre-casting or exclusion. Church Hill Theatre is fully committed to continuing the growth of its talent and volunteer pools and always endeavors to involve more of community involvement in all aspects of live, community theatre.

Please come prepared with a 2 to 3 minute monologue and also be ready to do cold readings from the script. The director asks that auditioners please bring all rehearsal conflicts covering mid-February until the end of April. For any further information, contact the CHT business office at 410-758-1331 or Shelagh Grasso at 410-778-4711 or 410-708-2251 or via email at [email protected].

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Filed Under: 6 Arts Notes, Arts

CHT Presents Paula Stone’s New Play, Kitchen Sink

December 27, 2011 by Kate Livie

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Pictured here is Dianne Hood in the role of Francine, a lady with a colorful assortment of kitchen wares to dispense. After a lifetime of cooking, baking, and washing dishes, Francine has had enough. Join her at her yard sale where she is selling the contents of her kitchen. Photo courtesy Kate Reckner

Church Hill Theatre proudly announces the premier staging of Washington DC playwright Paula Stones’s new play Kitchen Sink, for a very limited engagement: Friday, January 13th through Sunday, January 15th. This award-winning two-act play is directed and produced by Kate Reckner and features Dianne Hood in the role of Francine, a lady with a colorful assortment of kitchen wares to dispense. This production represents a tour de force of Maryland theatrical talent.

After a lifetime of cooking, baking, and washing dishes, Francine has had enough. Join her at her yard sale where she is selling the contents of her kitchen. She simply has no use anymore for all these pots and pans, yet each pot and pan has some special quirky, comic, or poignant story. Together, these memories trace the course of Francine’s life: the tensions, misadventures, vulnerabilities, and joys that have shaped her as a wife, mother, friend, and woman.

Dianne Hood appeared most recently at the Strand Theatre in Baltimore in the solo play The Year of Magical Thinking by Joan Didion. She has appeared in a wide variety of productions with the Annapolis Summer Garden Theatre, Annapolis Theatre Project, Baltimore Playwrights Festival, Bay Theatre Company, Colonial Players, just to name a few. Dianne is an active freelance actor and voice over artist, and no stranger to CHT. She directed CHT’s production of Everybody Loves Opal in 1996.

Playwright Paula Stone has returned to her love of creative writing upon retiring from her career in technology policy and systems engineering. She writes poignant comedies about everyday life, more than a dozen of which have been competitively selected for play festivals, showcased in public readings, commercially published, and broadcast on radio theatre. Her one-act version of Kitchen Sink was chosen for a public reading in the 2008-2009 Baltimore Playwright’s Festival, won first-prize (one-act category) in the Brevard Little Theatre’s 6th Annual New Play Competition, was a finalist in the 33rd Annual National One-Act Playwriting Competition sponsored by the Dubuque Fine Arts Players, and was a semifinalist in the 2011 Silver Spring Stage One-Act Festival.

Kate Reckner is an award-winning producer for both documentary television and feature films. Among her notable credits are Cecil B DeMented, Pecker, and Serial Mom for John Waters, 12 Monkeys for Terry Gilliam, Oz (pilot) for HBO, and America’s Promise for Colin Powell. Kate has more recently been focusing on the advertising industry where her clients include Toyota, Comcast, Time/Warner, MD State Fair, and Zachary’s Jewelers. She started her career as a stage manager for theatre and live events. Of Kitchen Sink, Kate notes that she purposely picked this play to produce and direct as it reminds her of her own grandmother, her time spent in the kitchen, and how she used cooking to show her affection for her family.

Make reservations today for this limited engagement which opens on Friday, January 13th and closes on Sunday, January 15th. Performances will be held on Friday at 8pm and Saturday and Sunday at 3pm. There will be a Question and Answer session with the playwright, director, and actress directly following the Saturday performance.

Tickets for the show are $12.50 and are available online at www.churchhilltheatre.org or by calling the CHT office at 410.758.1331. Reservations are strongly recommended, as are kitchen gloves.

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Filed Under: Arts, Arts Top Story

Audition Dates Are Nov 12, 14 & 16 for CHT’s “The Nerd”

November 1, 2011 by Kate Livie

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Church Hill Theatre has announced audition dates for its upcoming production of The Nerd, a comedy by Larry Shue. Challys E. Withers, a 2009 Washington College Drama Department graduate, is making her directorial debut at CHT with this

Larry Shue

irresistible, infectious script. Withers will hold auditions on Saturday, November 12th from 1pm until 4pm and again on Monday and Wednesday evenings, November 14th and 16th from 6:30pm until 8:30p.m. Performances of the production will run from Friday, February 24th until Sunday, March 11th.

Before he died in an airplane crash, author Larry Shue left behind a couple of very memorable and hilarious comedies, including The Nerd and The Foreigner. The Nerd is the story of Willum Cubbert, an aspiring young architect in Terre Haute, Indiana. He has often told his friends about the debt he owes to Rick Steadman, a fellow ex-GI whom he has never met but who saved his life after he was seriously wounded in Vietnam. He has written to Rick to say that, as long as he is alive, “you will have somebody on Earth who will do anything for you”. So, Willum is delighted when Rick shows up unexpectedly at his apartment on the night of his thirty-fourth birthday party. But his delight soon fades as it becomes apparent that Rick is a hopeless nerd—a bumbling oaf with no social sense, little intelligence and less tact. Rick stays on and on, his continued presence among Willum and his friends leading to one uproarious incident after another, until the normally placid Willum finds himself contemplating violence—a dire development which, happily, is staved off by a surprising “twist” ending of the play.

Withers will be casting 5 male actors ranging in age from 13 to 50 and 2 female actors ranging from 25 to 45. Anyone interested in technical work is also encouraged to come to auditions. CHT encourages anyone who is interested, regardless of experience, race, gender, or personal beliefs, to audition. The theatre endeavors, whenever possible, to cast new faces and fresh talent through standard and/or non-traditional means to promote involvement. All roles, unless otherwise announced, are open to anyone auditioning without pre-casting or exclusion. Church Hill Theatre is fully committed to continuing the growth of its talent and volunteer pools and always endeavors to involve more of community involvement in all aspects of live, community theatre.

Please come prepared with a 2 to 3 min monologue and also be ready to do cold readings from the script. The director asks that auditioners please bring all rehearsal conflicts covering December through mid-March. For any further information, contact the CHT business office at 410-758-1331 or Challys Withers directly at [email protected].

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Filed Under: 6 Arts Notes, Arts

“Almost, Maine” Runs Through Nov 20 at Church Hill Theatre

October 31, 2011 by Kate Livie

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Beginning Friday night at 8 pm on November 4th, Church Hill Theatre will transport audiences to an instant in time in a mythical town. Award-winning actor and playwright John Cariani’s Almost, Maine lays out that instant at exactly 9 p.m. on a wintry Friday

Pictured here are veteran CHT actors Debbie Ebersole and Patrick J. Fee portraying Gayle and Lendall in Getting it Back, one of the moments in time shared in CHT’s production of Almost, Maine.

night in the remote town of Almost, Maine. As the northern lights hover in the star-filled sky above, the residents of Almost find themselves falling in and out of love in unexpected and often hilarious ways. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts mend — almost, in this delightful midwinter night’s dream.

Michael C. Whitehill closes out CHT’s 2011 season with all of the imagination and intensity audiences have come to relish in his productions as he introduces crowds to 19 residents of Almost, Maine. Each resident experiences crucial moments of choice in relationships with one another. The scenes occur in different locations around the town of Almost, and each has its own crisis, its own emotional temperature, and its own stakes. In each tale, there is an element of wonder. There is love and the lack of it and the continuum between. Like the excitation of ions in the moody and playful Aurora Borealis which sets the backdrop of Almost, the thoughts and feelings of its inhabitants will move in seemingly random trails and swirls. Audiences cannot help but finally recognize their own haphazard paths as each person claims his own private piece of that moment.

Pete and Ginette played by Steve Helgesen and Abigail Shaffer who hold the series of moments in time together in CHT’s production of Almost, Maine.

Cariani developed Almost, Maine at the Cape Cod Theatre Project and opened the show in 2004 in Portland, Maine where it became the most successful play in Portland Stage’s 32-year history. Following its opening, The Wall Street Journal named Almost one of the best regional theatre productions and has since spread throughout the United States, Canada, Australia, and Germany to break box office records wherever it is performed.

Whitehill has directed his own image of Almost, Maine which is sure to live up to the hype. Sometimes produced with just four actors playing all 19 roles, he has put together a full cast of character, each claiming his or her own moment on the CHT stage. Peopling Almost are a wonderful mix of veteran and first-time actors to the CHT stage including: Steve Helgesen, Abigail Shaffer, John Haas, Becca Van Aken, Brian Helgesen, Kate Maxwell, Jeanne Wode, Jane Copple, Brandon Walls, Debbie Ebersole, Patrick J. Fee, Erik Murray, Brian Whitaker, Chris Rogers, Jane Terebey, Howard Messick, Karin Larsen, and John Cain.

The production crew is compromised of seasoned CHT experts Laura Kaufmann (Producer/Makeup), Whitehill (Director, Special Effects & Lighting Design, Set Design & Construction ), Doug Kaufmann, (Production Lighting Design and Engineer), Draper (Set Decoration), and Steve Payne (Sound Design and Operator). The visual spectacle that this team creates will have audiences fondly reminiscing about their brief visit to Almost, Maine.

Passports not required—get your tickets to Almost today. Please be sure to make your reservations for this journey into the heart which runs from Friday, November 4th through Sunday, November 20th. Performances begin at 8 pm on Fridays and Saturdays, 2pm on Sundays. Call the CHT office at 410.758.1331 or make reservations online at https://www.churchhilltheatre.org

Weekends, Friday November 4 through Sunday, November 20, 2011
8 pm Fridays & Saturdays
2 pm Sundays

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Filed Under: Arts, Arts Top Story

CHT Presents Halloween Monster Bash

October 13, 2011 by Kate Livie

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Calling all Ghouls and Goblins! Church Hill Theatre is proud to present The Halloween Monster Bash. The fun and fright takes place FRIDAY, October 21st and SATURDAY, October 22nd at 7 pm. Join your monster of ceremonies Frank N. Stein for an evening of entertainment for the whole family.

Assembled will be a grisly collection of 13 iconic monsters such as Dracula, Frankenstein, and Wolfman. While horror is their name, rockin’ will be their game with ghoulish Broadway hits from Wicked, Phantom of the Opera, and Young Frankenstein, along with popular rock songs with a Halloween slant. Of course, audiences can expect the howls of their beloved Halloween standards.

Refreshments will be provided in the form a delectable assortment of finger foods (mind the fingernails), veggies, and desserts. Poison punch will be provided to wash it all down. Attendees are asked to outshine the cast if they dare. A costume contest will be held with prizes for the top child and adult ghouls. Candy and gift bags will also be provided for all of the little demons in attendance.

Make your reservations today by calling the CHT office at 410.758.1331 and take the Transylvanian Express to Church Hill Theatre’s Halloween Monster Bash.

FRIDAY, October 21st and SATURDAY, October 22nd
Shows starting at 7 pm.
Tickets are $15 for adults, $10 for students, and $5 for children 12 and under.
Tickets will also be available at the door.

Dress up in your best Halloween costume and come to the CHT for an evening of entertainment the likes of which have not been seen since the Wolfman was a pup.

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Filed Under: 6 Arts Notes, Arts

Spelling Bee Runs Through October 2 at CHT

September 21, 2011 by Kate Livie

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Church Hill Theatre’s latest production, the offbeat musical sensation, The 25th Annual Putnam County Spelling Bee, is running every weekend through Sunday, October 2. It is an hilarious tale of overachievers’ angst with music and lyrics by William Finn and book by Rachel Sheinkin. Based on the original play

Photo by Molly Groton. From bottom left to bottom right: Shannon Whitaker, Kyle Lindenberger, Dylan Lyles, and Sam Martin; from top left to top right: Malley Hester, Emily Chiras, Brittney N. Lynn, and Patrick J. Fee.

C-R-E-P-U-S-C-U-L-E, Spelling Bee chronicles the experience of six adolescent outsiders vying for the spelling championship of a lifetime. The show’s Tony Award winning creative team has fashioned the unlikeliest of hit musicals about the unlikeliest of heroes: a quirky, yet charming, cast of outsiders for whom a spelling bee is the one place where they can stand out and fit in at the same time.

Making his CHT directorial debut, Richard A. Vitanovec brings a wealth of experience back to CHT after having amazed audiences with his stunning portrayal of Riff Raff in the theatre’s recent opulent production of The Rocky Horror Show. Theatre teacher and director at Easton Middle School and Easton High School, Vitanovec has cultivated a powerful and professional theatrical presence on Maryland’s Eastern Shore and has compiled a cast and crew who are uniquely up to the task of bringing this modern, innovative musical to life on the CHT stage.

This cast of is comprised of seasoned actors and vocal impresarios who have cut their teeth on previous angst-ridden CHT productions from Rocky Horror to the Rock Musicals Musical to Fuddy Meers. Vitanovec has cast Michael Sousa as Chip Tolentino, Malley Hester as Logainne Swartzandgrubennierre, Kyle Lindenberger as Leaf Coneybear, Dylan Lyles as William Barfee, Emily Chiras as Marcy Park, Shannon Whitaker as Olive Ostrovsky, Brittney N. Lynn as Rona Lisa Perretti, Sam Martin as Mitch Mahoney, and Patrick J. Fee as Vice Principal Douglas Panch.

Vitanovec, (director, producer, and set designer of the Spelling Bee), has spelled out an equally talented production staff comprised of musical director Kevin W. Thomas, stage manager Krista Cain, backstage director Amber Vitanovec, backstage crew Joey Bridges and Jacob Mueller, costumer Barbi Bedell, and set construction manager Brian Whitaker.

C-R-E-P-U-S-C-U-L-E was an original improvisational play created by Rebecca Feldman and performed by The Farm, a New-York-based improvisational comedy troupe. Finn brought Rachel Sheinkin on board, and they worked together with Feldman to transform C-R-E-P-U-S-C-U-L-E into the scripted, full-length musical which went on to commercial success.

Spelling Bee was workshopped and developed in 2004 at the Barrington Stage Company in Massachusetts. The musical moved Off-Broadway to the Second Stage Theatre in 2005 where it enjoyed critical and box-office success. Spelling Bee then premiered on Broadway at the Circle in the Square Theatre in 2005 and closed in 2008 after 1,136 performances. The show won Tony Awards for Best Book (Sheinkin) and Best Featured Actor (Dan Fogler).

Produced by special arrangement with Music Theatre International, 25th Annual Putnam County Spelling Bee is sure to be distinctive and fun-filled production. Make reservations now to see the show which opens Friday, September 16th and closes on Sunday, October 2nd. Performances begin at 8 pm on Fridays and Saturdays, 2pm on Sundays.

NOTE: This show is not a children’s production and includes mature content, themes, and lyrics. Call the CHT office at 410.758.1331 or buy tickets online at https://www.churchhilltheatre.org.

Fridays and Saturdays Through October 1- shows start at 8pm
Sundays Through October 2 – shows start at 2pm

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Filed Under: Arts

Comedic Thriller “Ravenscroft” Aug 5-21 @ CHT

August 15, 2011 by Kate Livie

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Dial CHT for murder! Church Hill Theatre proudly presents the opening of Don Nigro’s Ravenscroft, directed by master of mayhem and CHT veteran Earl Lewin.

Though the murder is most foul, audiences will find themselves seduced by the dark humor and antics of the Ravenscroft cast from left to right are Carolyn Hailey, Shelby Ruff, Avra Sullivan, Alice Lindsay, Chris Rogers, and Sharon Gillroy.

Ravenscroft is a tale of obscurity involving a cast filled with deceptive ladies and one man who has to wade through their feminine cunning to figure out whodunit. Local playwright and longtime director/actor, Lewin recently wrote and directed the hit musical Celluloid (with musical score by Dick Durham) which held it’s world premier at CHT before running off-Broadway. Lewin brings his perceptive zeal to the classic mystery genre with a growing list of murder classics under his belt having recently written and directed the tongue-in-cheek CHT fundraiser The Burgundy Wine Mob and directed the 2009 hit Catch Me If You Can; he also starred in a CHT’s popular thriller Woman in Black, an audience-favorite produced in 2002.

Ravencroft is a suspenseful and often-hilarious dark comedy which unfolds in an English country estate where the grisly death of the handsome handyman causes Inspector Ruffing to come calling. He finds himself snowbound with five dangerous, illusory women. This1991 thriller was a hit when it premiered in London. The script was later made into a film called The Manor in 1999 featuring Peter O’Toole and Greta Sacchi.

Who killed Patrick Roarke? Inspector Ruffing (Chris Rogers) must search for the truth. The mystery unfolds on a shadowy night when Ruffing comes to investigate the recent headlong-plunge of a young manservant down the main staircase at Ravenscroft Manor. He is obstructed by five manipulative women who are obviously keeping him from learning the truth: Marcy (Avra Sullivan), the governess with a past; Mrs. Ravenscroft (Carolyn Hailey), the flirtatious and controlling lady of the manor; Gillian (Shelby Ruff), her charming, but possibly demented daughter; Mrs. French (Alice Lindsay), the formidable cook; and Dolly (Sharon Gilroy), the frantic, ditsy, and terrified maid. Confronted with constantly-changing and contradictory versions of what happened at the top of the staircase, the Inspector interrogates to the point of utter frustration and accepts far too many glasses of wine from his clever hostesses, putting his own life in danger.

The members of the production staff include Sam Rickets (Producer), Tammy Cain (Stage and Properties Manager), Doug Kaufmann (Lighting Design), Krista Cain (Lighting Operator), Brian Draper (Set Design), Lauren Williams (Costume Design), Monte Hailey (Sound Design and Photography), and Kyle Cain (Sound Operator).

Though the murder is most foul, audiences will find themselves seduced by the dark humor and antics of the Ravenscroft household. Unless you are very clever or perhaps a little demented yourself, you will not be able to guess the ending before the secret is revealed, and the mystery is ultimately solved.

So please be sure to make your reservations to see if you can solve the mystery as it unfolds on the CHT stage. Ravencroft opens on Friday, August 5th and closes on Sunday, August 21st. Performances begin at 8 pm on Fridays and Saturdays, 2pm on Sundays. Call the CHT office at 410.758.1331 or make reservations online at https://www.churchhilltheatre.org. Ravenscroft is produced by special arrangement with Samuel French, Inc.

The Spy Newspapers may periodically employ the assistance of artificial intelligence (AI) to enhance the clarity and accuracy of our content.

Filed Under: Arts, Arts Top Story

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