The Spy had the chance to ask Logan Seith a few questions about his past performance in Chestertown at the National Music Festival, as well what he looks forward to for this Friday’s show.
Most importantly, Seith seems to see the Chestertown audience as a “good crowd.” The relationship between performers and audience can be a key factor in both parties’ enjoyment of a show.
“I was a percussionist in the orchestra that played in Chestertown this past summer,” Seith says. “I remember the people here being so appreciative of all the musicians. I am really excited to play for the people here because they really enjoy live music.”
Mel Rappelyea, who organizes the Jazz Festival, says that “we’ll be thrilled to have him come back as he was superb at the [National Music] Festival.”
Seith and the Quartet were originally scheduled to play at the Chestertown Jazz Festival this past September, but scheduling conflicts got in the way. Those involved with the festival wouldn’t let that be the last word from Seith.
“We were originally supposed to be a part of a jazz festival last year, but that did not work out,” says Seith. “Andy Goddard contacted me and said she would like to have my group play our own show. We are very glad to have this opportunity.”
Asked what might be particularly interesting about his quartet’s performance, Seith cited the fact that all of the musicians in the group are multi-talented, able to play many instruments in multiple styles. Seith’s first performance in Chestertown was with a classical ensemble, not with a Jazz group.
“My quartet actually does most of its playing in D.C. and College Park,” he told us. “I am currently in the middle of playing a show in Rockville, rehearsing with the UMD percussion ensemble and Symphony Orchestra, and auditioning for summer festivals.”
The multi-talented nature of the band helps add nuance to the group improvisations of jazz standards.
“Michael, the pianist, is also an orchestral violist, so it’s fun to hear him occasionally quote a classical piece in his solos,” Seith tells us.
Improvisation is key for jazz possibly above any other style of music, and Seith cites this as a reason that he finds performances with the Quartet particularly enlivening.
“I really enjoy live performances because it’s very human. All the “mistakes”, solos, and ad libbing make it very real. A connection happens between the performers and listeners in a live performance that doesn’t happen in recordings.”
You can share some of the excitement 8pm this Friday February 22 at the Garfield Center.
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