The publishers of Chris Cleave’s new novel “don’t want to spoil” the story by revealing too much about it, and there’s good reason not to tell too much about the plot’s pivot point. All you should know going in to Little Bee is that what happens on the beach is brutal, and that it braids the fates of a 16-year-old Nigerian orphan (who calls herself Little Bee) and a well-off British couple–journalists trying to repair their strained marriage with a free holiday–who should have stayed behind their resort’s walls.
The tide of that event carries Little Bee back to their world, which she claims she couldn’t explain to the girls from her village because they’d have no context for its abundance and calm. But she shows us the infinite rifts in a globalized world, where any distance can be crossed in a day–with the right papers–and “no one likes each other, but everyone likes U2.” Where you have to give up the safety you’d assumed as your birthright if you decide to save the girl gazing at you through razor wire, left to the wolves of a failing state. Mari Malcolm, Amazon
Chris Cleave is a columnist for The Guardian newspaper in London. His first novel, Incendiary, was published in twenty countries; won the 2006 Somerset Maugham Award; was shortlisted for the 2006 Commonwealth Writers’ Prize; won the United States Book-of-the-Month Club’s First Fiction Award; and won the Prix Special du Jury at the French Prix des Lecteurs 2007. His second novel, Little Bee, was shortlisted for the prestigious Costa Award for Best Novel. He lives in London with his French wife and three mischievous Anglo-French children.
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