Like enormous 3-D drawings, vines sweep and spiral, bend and corkscrew around the trees in Howard and Mary McCoy’s outdoor sculpture exhibit, Re-Vision, at Adkins Arboretum. Interspersed with Mary’s poems directly inspired by the Adkins landscape, they are on view through Sept. 30. On Sat., June 4, from 2 to 4 p.m., there will be a reception for the McCoys’ outdoor show and Chinese painter and calligrapher Kit-Keung Kan’s exhibit in the Visitor’s Center, including a guided sculpture and poetry walk.

Grapevines swirl up from the forest floor in “Reconfigure,” and pale bittersweet vines twirl in wide arcs around a tree trunk in a tall sculpture called “Reorganize.” Nearby, a poem called “Not for the Faint of Heart” is wrapped around the prickly trunk of a devil’s walking stick plant.

These two Centreville artists have served as Resident Artists at the Arboretum for more than two decades, helping with the art program and periodically exhibiting their own work. This is their twelfth show of site-specific sculpture and the first to include several of Mary’s poems.

“Redraw” is among the site-specific sculptures created at Adkins Arboretum by Centreville artists Howard and Mary McCoy.

A map showing the location of the sculptures is available in the Visitor’s Center, and each sculpture is marked with a bright blue sign on the ground. To find the poems, however, you must keep an eye out for the same blue—perhaps on a tree, a signpost or even the railing of one of the wooden bridges that cross the Arboretum’s stream.

“I want the poems to be surprises that you come upon unexpectedly,” said Mary, who is a 2022 recipient of a Regional Individual Artist’s Award in Literary Arts from the Maryland State Arts Council. “For me, they were gifts from the landscape itself—feelings and ideas that came to me while I was walking through the forest or just sitting quietly on a log.”

The McCoys also walked the forest paths together, keeping an eye out for vines growing up into the treetops.

“Vines are like three-dimensional drawings,” Howard explained. “We both used to like to draw and paint a lot. It’s sort of like the paintings of Jackson Pollock or some of the other Abstract Expressionist painters—gesture painting. It has art historical context, and it’s sometimes hysterical what it ends up doing.”

The two artists chose to call their show Re-Vision not only because their work offers new ways of seeing nature, but also because they have “revised” the way the vines were growing and because both the vine sculptures and Mary’s poems were created by experimenting with trying one thing, then another, revising each work until it finally felt lively, balanced and whole.

As to why they cut vines out of the trees, Howard said, “We’ve talked about it with a couple visitors who came by while we were working—the importance of clearing vines off the trees so that you save the tree from the choking vines, and at the same time, you’re making sculpture, making art.”

“They are wonderful materials,” Mary said. “But you have to follow what they dictate. You want it to curve one direction, but because of the way it grew with an elbow or some tight curvature, it’ll want to go the exact opposite. So it’s a real collaboration with nature. We feel like the idea of collaboration is important not only when we’re making art in nature but in the larger context, that if we all were more interested in collaborating with nature instead of dominating it, we might be better off.”

Re-Vision is part of Adkins Arboretum’s ongoing exhibition series of work on natural themes by regional artists. It is on view through Sept. 30 at the Arboretum, located at 12610 Eveland Road near Tuckahoe State Park in Ridgely. Contact the Arboretum at 410–634–2847, ext. 0 or info@adkinsarboretum.org for more information.

Adkins Arboretum is a 400-acre native garden and preserve at the headwaters of the Tuckahoe Creek in Caroline County. For more information, visit adkinsarboretum.org or call 410-634-2847, ext. 0.

John Moran’s paintings are like stories in the process of unfolding. On view at the Adkins Arboretum Visitor’s Center through Feb. 26, Journeys Imagined, his exhibit of watercolor, oil and acrylic paintings, brims with rich, glowing color and animated trees, hills, clouds and abstract forms. There will be a reception to meet the artist on Sat., Feb. 19 from 2 to 4 p.m.

Although his paintings almost always suggest landscapes, they hover strangely between representation and abstraction. Colorful, inviting and often playful, they are full of the dreamlike, half-formed shapes you might glimpse in your imagination.

There’s a curved, cream-colored shape in “Nearing the Distance” that seems like a boat afloat in a sea of purple and violet water with islands and dark hills beyond. But none of it is distinct. The “boat” might just be a reflection of a pale cloud in the upper left or a shimmer of moonlight across the water.

Moran’s paintings are evocative of many things, but you can never be quite sure of what, and it’s this uncertainty that makes them so appealing. With no idea how a painting will turn out, Moran begins with some washes of color, then he paints in more colors and shapes, alters them, scrapes some paint away and paints some more. It’s a process of continual change as he experiments with how colors and shapes react to one another.

“It’s never planned,” he said. “I’m working on a painting now that’s all blue, but yesterday or the day before it was all red.”

John Moran, “Nearing the Distance,” oil on canvas, 18” x 24”

Now living in Chester, Moran grew up in Washington, D.C., and began taking art classes in his late twenties at the American Academy of Art in Chicago. For 25 years, he lived in West Virginia and continued to paint, mostly creating plein air watercolor landscapes, while raising his family, farming and working at a government job. After his retirement in 1997, he chose to concentrate on art and in 2006 earned an MFA from the Hoffberger School of Painting at the Maryland Institute College of Art.

Over the years, Moran has developed his own very distinctive style, though occasionally there’s a nod to Arshile Gorky, Joan Miro, Salvador Dali or some other artist. Because he is so fascinated with the process of painting, he relishes the work of many different kinds of painters, listing Francis Bacon, David Hockney and Wayne Thiebaud as some of his favorites.

For Moran, the process of painting is almost more important than the finished work, and he enjoys the unexpected accidents that happen along the way. Dripping paint might turn into tree trunks or a coal-black mass might suggest a rocky seacoast, while a band of sooty red and luminous scarlet shapes below it call to mind molten lava churning deep in the earth.

There is much that is unpredictable and even slightly mystical in his paintings. Moran likes to think of them as visual poetry, never static and always open to new interpretations.

“I don’t know why these are what they are, and I can’t explain it,” he said. “I think it’s another language. Painting expresses something that can’t be said in words.”

Journeys Imagined is part of Adkins Arboretum’s ongoing exhibition series of work on natural themes by regional artists. It is on view through Feb. 26 at the Arboretum Visitor’s Center located at 12610 Eveland Road near Tuckahoe State Park in Ridgely. Contact the Arboretum at 410–634–2847, ext. 0 or info@adkinsarboretum.org for gallery hours.

Adkins Arboretum is a 400-acre native garden and preserve at the headwaters of the Tuckahoe Creek in Caroline County. For more information, visit adkinsarboretum.org or call 410-634-2847, ext. 0