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After Paris Comes Easton: Bill Viola at the Academy With Anke Van Wagenberg

Well before camcorders, flash cards, HD resolution, and a host of other components that make up our digital world these days, New York native Bill Viola decided to become a video artist. That was in 1973, when video was still mostly used for commercial television and some instructional use. While film had been slowly embraced in contemporary art circles, Viola's use of video was an extraordinarily rare and rather exotic medium in the 1970s. Equipment was expensive, image quality was inconsistent, and poor resolution analog television displays were the only option for displaying work. And … [Read More...]