Mid-Shore Arts: Artist Emily Lombardo Has a Three Year Chat with Goya at the AAM

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One of the first things that must be said in prefacing our Spy interview with artist Emily Lombardo is that her current exhibition, The Caprichos: Goya and Lombardo at the Academy Art Museum, is not complicated for the audience to comprehend.

Two artists, separated by some 300 years, offer similar and sobering images of their contemporary society’s failures. For Francisco Goya, his eighty etchings, which make up the original work known as Los Caprichos, reflected the terrors of the Spanish Inquisition and the moral bankruptcy of the Catholic Church among many other social illnesses of his time.

For Emily Lombardo, who, as a young art student in Boston would spend her afternoons at the Museum of Fine Art observing Goya’s work, Los Caprichos offered her an entirely new gateway to express her moral outrage at today’s injustices as well as, you guessed it, the moral bankruptcy of Catholic Church and its more recent sins related child sex abuse.

The challenge for the audience is to go beyond these often dark images and see how these two worlds both contrast and connect with each other in this remarkable exhibition organized by the AAM’s curator Anke Van Wagenberg.

The Spy caught up with Emily before the opening of The Caprichos: Goya and Lombardo to talk about this extraordinary undertaking (it took both artists three years to complete their work) and some suggestions for visitors and they observe these two worlds which fill the Museum’s two primary gallery spaces for the next few months.

This video is approximately four minutes in length. For more information on The Caprichos: Goya and Lombardo please go here

 

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